The Reception and Influence of French Music in Britain 1830-1914 investigates the presence, reception and influence of French art music in Britain between 1830 (roughly the arrival of 'Grand Opera' and opéra comique in London) and the outbreak of the First World War. Five chronologically ordered chapters investigate key questions such as:
The Reception and Influence of French Music in Britain 1830-1914 investigates the presence, reception and influence of French art music in Britain between 1830 (roughly the arrival of 'Grand Opera' and opéra comique in London) and the outbreak of the First World War. Five chronologically ordered chapters investigate key questions such as:
Paul Rodmell is a Senior Lecturer in the Department of Music at the University of Birmingham, UK. His research focuses on British musical culture of the nineteenth and early twentieth centuries; he is the author of monographs on Charles Villiers Stanford and Opera in the British Isles, 1875-1918.
Inhaltsangabe
1. Franco British Cultural Relations 1660 1830 2. From Auber to Meyerbeer, 1830 62 3. From Faust to Carmen, 1863 78 4. Fin de siècle: French music in Britain 1879 1900 5. Entente Cordiale: French music in Britain 1901 14
1. Franco British Cultural Relations 1660 1830 2. From Auber to Meyerbeer, 1830 62 3. From Faust to Carmen, 1863 78 4. Fin de siècle: French music in Britain 1879 1900 5. Entente Cordiale: French music in Britain 1901 14
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