This volume explores how Italian institutions, dealers, critics, and artists constructed a modern national identity for Italy by exporting â literally and figuratively â contemporary art to the United States in key moments between 1929 and 1969.
This volume explores how Italian institutions, dealers, critics, and artists constructed a modern national identity for Italy by exporting â literally and figuratively â contemporary art to the United States in key moments between 1929 and 1969.
Raffaele Bedarida is an Associate Professor of Art History at The Cooper Union, New York, where he directs the History and Theory of Art program.
Inhaltsangabe
Introduction 1. (Prelude): "I Will Smash The Alps of the Atlantic:" Futurist Depero and Italian Americanism 2. Exporting Fascist Culture / Importing American Modernity 3. MoMA and the Post-War Rehabilitation of Italy 4. Tu Vuo Fa l'Americano: Catherine Viviano, Irene Brin, and Italian Art's Conquest of Hollywood 5. Transatlantic Arte Povera: The Trojan Horse of Germano Celant
Introduction 1. (Prelude): "I Will Smash The Alps of the Atlantic:" Futurist Depero and Italian Americanism 2. Exporting Fascist Culture / Importing American Modernity 3. MoMA and the Post-War Rehabilitation of Italy 4. Tu Vuo Fa l'Americano: Catherine Viviano, Irene Brin, and Italian Art's Conquest of Hollywood 5. Transatlantic Arte Povera: The Trojan Horse of Germano Celant
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