This study is an analysis of the high point and subsequent decline of modernist criticism in New York during the 1960s. Through a close reading of a selection of key critics of the period, the book examines the ways that modernist criticismâ s discourse remains of especial disciplinary interest.
This study is an analysis of the high point and subsequent decline of modernist criticism in New York during the 1960s. Through a close reading of a selection of key critics of the period, the book examines the ways that modernist criticismâ s discourse remains of especial disciplinary interest.
Stephen Moonie is Lecturer in Art History in the Department of Fine Art, Newcastle University.
Inhaltsangabe
Introduction 1. Clement Greenberg: 'A Critic on the Side of History' 2. 'Restoring Modernism to Health': Michael Fried 3. Rosalind Krauss: 'A Broader Modernist Sensibility' 4. 'A Rigorous Dialectic of Seeing and Reading': Annette Michelson 5. Harold Rosenberg: Action, Criticism, and History 6. 'My Secret Life': Leo Steinberg 7. Lawrence Alloway and the Complex Present Conclusion
Introduction 1. Clement Greenberg: 'A Critic on the Side of History' 2. 'Restoring Modernism to Health': Michael Fried 3. Rosalind Krauss: 'A Broader Modernist Sensibility' 4. 'A Rigorous Dialectic of Seeing and Reading': Annette Michelson 5. Harold Rosenberg: Action, Criticism, and History 6. 'My Secret Life': Leo Steinberg 7. Lawrence Alloway and the Complex Present Conclusion
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