The emergence of Thatcherism around 1980, which ushered in a period of neo-liberalism in British politics that still resonates today, led musicians, like other artists, to respond to their context of production. This book uses the early work of one of these musicians, Elvis Costello, to explore the relationship between popular music and politics in one historical period. Throughout the book examples are provided of Costello's songs and how they work musically to illustrate or stimulate the contextual discussion. The book will be of significant interest to musicologists, sociologists and social psychologists.…mehr
The emergence of Thatcherism around 1980, which ushered in a period of neo-liberalism in British politics that still resonates today, led musicians, like other artists, to respond to their context of production. This book uses the early work of one of these musicians, Elvis Costello, to explore the relationship between popular music and politics in one historical period. Throughout the book examples are provided of Costello's songs and how they work musically to illustrate or stimulate the contextual discussion. The book will be of significant interest to musicologists, sociologists and social psychologists.
David Pilgrim has a mixed academic background in clinical psychology and medical sociology and has a particular interest in linking biographies and social contexts, using interdisciplinary resources in social science. He is widely published, with over 60 journal articles to his name. His recent books include Key Concepts in Mental Health, Second Edition (2009) and, with Anne Rogers, A Sociology of Mental Health and Illness, Fourth Edition (2009). The third edition of the latter won the BMA's Medical Book of the Year for 2006. He is Professor of Health and Social Policy at the University of Liverpool. Richard Ormrod is a musician, educator, composer and writer. He performs on several instruments in a wide variety of styles and enjoys devising new performance/recording projects, such as Home of the Brave and A Dread Supreme, which investigate, respectively, the soundtrack to Western movies and influences on Jamaican popular music. As an educator he directs several community orchestras, with particular emphasis on aural learning and improvisation. In 2012 he was awarded Jazz Yorkshire ¿Musician of the Year¿ and lives and works in Leeds.
Inhaltsangabe
Contents: Introduction Thatcher and Costello: setting the scene Interpreting Costellös early music Nostalgia denied Race and nation The special relationship with the USA The post-feminist context The music industry Costello and postmodernism Macbeth at the foam party References Index.
Contents: Introduction Thatcher and Costello: setting the scene Interpreting Costellös early music Nostalgia denied Race and nation The special relationship with the USA The post-feminist context The music industry Costello and postmodernism Macbeth at the foam party References Index.
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