Andere Kunden interessierten sich auch für
![Faking It: The Quest for Authenticity in Popular Music]( "Faking It: The Quest for Authenticity in Popular Music")
Faking It: The Quest for Authenticity in Popular Music22,99 €![British Women Composers and Instrumental Chamber Music in the Early Twentieth Century. Laura Seddon]( "British Women Composers and Instrumental Chamber Music in the Early Twentieth Century. Laura Seddon")
British Women Composers and Instrumental Chamber Music in the Early Twentieth Century. Laura Seddon183,99 €![The History of Live Music in Britain, Volume I]( "The History of Live Music in Britain, Volume I")
The History of Live Music in Britain, Volume I215,99 €![The New Guitarscape in Critical Theory, Cultural Practice and Musical Performance]( "The New Guitarscape in Critical Theory, Cultural Practice and Musical Performance")
The New Guitarscape in Critical Theory, Cultural Practice and Musical Performance183,99 €![Bruce Springsteen, Cultural Studies, and the Runaway American Dream]( "Bruce Springsteen, Cultural Studies, and the Runaway American Dream")
Bruce Springsteen, Cultural Studies, and the Runaway American Dream183,99 €![Frank Zappa and the And]( "Frank Zappa and the And")
Frank Zappa and the And183,99 €![This is the Sound of Irony]( "This is the Sound of Irony")
This is the Sound of Irony183,99 €
The double bass - the preferred bass instrument in popular music during the 1960s - was challenged and subsequently superseded by the advent of a new electric bass. Investigating the performance practice of the new, melodic role of the electric bass as it appeared (and disappeared) in the 1960s and 1970s, this book turns to the number one songs of the American Billboard Hot 100 charts between 1951 and 1982. Through interviews with players, numerous transcriptions - elaborations of twenty bass related features - are presented. These are juxtaposed with a critical study of four key players, who provide the case-studies for examining the performance practice of the melodic electric bass.