Andere Kunden interessierten sich auch für
![Publishing in Rhetoric and Composition]( "Publishing in Rhetoric and Composition")
Publishing in Rhetoric and Composition100,99 €![Writing Program Administration at Small Liberal Arts Colleges]( "Writing Program Administration at Small Liberal Arts Colleges")
Writing Program Administration at Small Liberal Arts Colleges66,99 €![Representation and the Text: Re-Framing the Narrative Voice]( "Representation and the Text: Re-Framing the Narrative Voice")
Representation and the Text: Re-Framing the Narrative Voice100,99 €![Making Writing Matter: Composition in the Engaged University]( "Making Writing Matter: Composition in the Engaged University")
Making Writing Matter: Composition in the Engaged University100,99 €![Constructing Knowledges: The Politics of Theory-Building and Pedagogy in Composition]( "Constructing Knowledges: The Politics of Theory-Building and Pedagogy in Composition")
Constructing Knowledges: The Politics of Theory-Building and Pedagogy in Composition100,99 €![Writing-Based Teaching: Essential Practices and Enduring Questions]( "Writing-Based Teaching: Essential Practices and Enduring Questions")
Writing-Based Teaching: Essential Practices and Enduring Questions100,99 €![Taking Yourself Seriously: Processes of Research and Engagement]( "Taking Yourself Seriously: Processes of Research and Engagement")
Taking Yourself Seriously: Processes of Research and Engagement29,99 €
For almost a century, writers such as Ralph Ellison, Michael Ondaatje, and Ishmael Reed have expressed an affinity for jazz, hearing the music as a model for writing. Michael Jarrett examines their work and the work of others who have brought jazz into language, pushing "interpretation" into the realm of "invention."