This book is the first monograph on neglected Portuguese poet and painter António Quadros (1933-1994). It analyses the question of what it means to be an author in Mozambique through Quadros's quirky literary works, which he published under three pennames, and interrogates Barthes's and Foucault's influential theories on authorship.
This book is the first monograph on neglected Portuguese poet and painter António Quadros (1933-1994). It analyses the question of what it means to be an author in Mozambique through Quadros's quirky literary works, which he published under three pennames, and interrogates Barthes's and Foucault's influential theories on authorship.
Tom Stennett is a Leverhulme Early Career Fellow at the University of Exeter, UK, where he is working on interconnections of politics and literature in Angola and Mozambique. He has published peer-reviewed articles on Mozambican and Portuguese fiction and translation studies in Portuguese Studies, Comparative Critical Studies, and Estudos da AIL (International Association of Lusitanists).
Inhaltsangabe
* Acknowledgements * Introduction * 1: Late Coloniality and Post-coloniality in Mozambique * 2: The Shifting Identity of João Pedro Grabato Dias * 3: Duplicitous Writers and Totalitarian Readers in As Quybyrycas (1972) * 4: The Idiosyncratic Anti-Colonial Poetics of Joa?o Pedro Grabato Dias's A Arca (1971) * 5: I, the People: Onymous, Anonymous and Collective Subjects in Eu, o Povo * 6: Quadros and His Readers * Conclusion * Bibliography
* Acknowledgements * Introduction * 1: Late Coloniality and Post-coloniality in Mozambique * 2: The Shifting Identity of João Pedro Grabato Dias * 3: Duplicitous Writers and Totalitarian Readers in As Quybyrycas (1972) * 4: The Idiosyncratic Anti-Colonial Poetics of Joa?o Pedro Grabato Dias's A Arca (1971) * 5: I, the People: Onymous, Anonymous and Collective Subjects in Eu, o Povo * 6: Quadros and His Readers * Conclusion * Bibliography
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