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This book is the first monograph on neglected Portuguese poet and painter António Quadros (1933-1994). It analyses the question of what it means to be an author in Mozambique through Quadros's quirky literary works, which he published under three pennames, and interrogates Barthes's and Foucault's influential theories on authorship.

Produktbeschreibung
This book is the first monograph on neglected Portuguese poet and painter António Quadros (1933-1994). It analyses the question of what it means to be an author in Mozambique through Quadros's quirky literary works, which he published under three pennames, and interrogates Barthes's and Foucault's influential theories on authorship.
Autorenporträt
Tom Stennett is a Leverhulme Early Career Fellow at the University of Exeter, UK, where he is working on interconnections of politics and literature in Angola and Mozambique. He has published peer-reviewed articles on Mozambican and Portuguese fiction and translation studies in Portuguese Studies, Comparative Critical Studies, and Estudos da AIL (International Association of Lusitanists).