Shows that analyzing meter as it is discussed and deployed in different historical moments offers crucial insights about language and how human beings use it, and explores how meter illuminates the interplay of culture, cognition, emotion, and embodiment.
Shows that analyzing meter as it is discussed and deployed in different historical moments offers crucial insights about language and how human beings use it, and explores how meter illuminates the interplay of culture, cognition, emotion, and embodiment.
Hannah Vandegrift Eldridge is Associate Professor of German in the Department of German, Nordic, and Slavic+ at the University of Wisconsin-Madison. She works on German literature from the eighteenth to twenty-first centuries, especially lyric poetry, philosophy, and prosody. Her first book, Lyric Orientations: Hölderlin, Rilke, and the Poetics of Community appeared with Cornell University Press in 2015 and a co-edited volume (with Luke Fischer), Rilke's Sonnets to Orpheus: Critical and Philosophical Perspectives, was published by Oxford University Press in 2019. She has published articles on Hölderlin, Rilke, Cavell, Wittgenstein, Klopstock, Nietzsche, and Grünbein.
Inhaltsangabe
Introduction 1: Meter, Language, History, and the "Whole Human" 2: Klopstock's Meters as Embodied Meaning 3: Disciplining Meter 4: Nietzsche's Meters as Cultural Critique 5: From Meter to Media and Materiality 6: Shaping Time, Forming Subjectivity: Grünbein's Meters Epilogue: Metrical Experience Appendix: Poems and Translations Works Cited
Introduction 1: Meter, Language, History, and the "Whole Human" 2: Klopstock's Meters as Embodied Meaning 3: Disciplining Meter 4: Nietzsche's Meters as Cultural Critique 5: From Meter to Media and Materiality 6: Shaping Time, Forming Subjectivity: Grünbein's Meters Epilogue: Metrical Experience Appendix: Poems and Translations Works Cited
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