This book grew out of desperate need. I was a storyboard artist at Disney and had no idea what I was doing. At Disney I was surrounded by amazing talents. I went into work early and typed up notes on what I was learning. This experience became Directing the Story.
This book grew out of desperate need. I was a storyboard artist at Disney and had no idea what I was doing. At Disney I was surrounded by amazing talents. I went into work early and typed up notes on what I was learning. This experience became Directing the Story.
Francis Glebas, recently retired, has been making stories and movies for 60 years, professionally for 51 years. He's worked his way up from painting animation cels on a night crew to directing a feature film. He's worked at most of the major studios. Currently, he teaches filmmaking skills and is writing a infographic novel about a new theory of story, from an alien perspective. Be sure to check out his other Focal Press book, The Animator's Eye which takes you through the complete process of making an animated film.
Inhaltsangabe
Part One 1 The Goal: Why Do We Watch? 2 Common Beginner Problems 3 The Beginning Basics 4 How to Draw for Storyboarding: Motion and Emotion Part One 5 Structural Approach: Tactics to Reach the Goal 6 What Do Directors Direct? 7 How to Direct the Eyes 8 Directing the Eyes Deeper in Space and Time 9 How to Make Images Speak: The Hidden Power of Images 10 How to Convey and Suggest Meaning 11 Dramatic Irony 12 Which Doctor? 13 Volcano Chase 14 The BIG Picture: Story Structures 15 Aiming for the Heart 16 Summary: Recapitulation of All Concepts 17 Analysis and Evolution of the Scheherazade Project 18 Conclusion: Now We Must Say Good-bye
PART ONE INTRODUCTION: The Goal Audiences watch movies and animations to be entertained through an emotionally satisfying and meaningful experience. This book shows how to entertain, by structuring the elements of film thematically. You can work with images, words and sounds.
THE PROBLEM Beginners work is often boring and confusing- unemotional. What do directors direct? Attention -clearly and dramatically to tell an emotional story.
THE BEGINNING BASICS History and uses of storyboarding How to tell a story using images. How to storyboard a scene How to draw for storyboarding
PART TWO
STRUCTURAL TACTICS TO REACH THE GOAL How direct attention How to direct the eye How to use images How to convey and suggest meaning Aiming for the heart. Emotional response
SUMMARY Chart and recapitulation of all of the concepts
ANALYSIS AND EVOLUTION OF THE SCHEHERAZADE PROJECT
SCHEHERAZADE and her story will be woven through out, demonstrating 'HOW TO' for each of the concepts being discussed.
Part One 1 The Goal: Why Do We Watch? 2 Common Beginner Problems 3 The Beginning Basics 4 How to Draw for Storyboarding: Motion and Emotion Part One 5 Structural Approach: Tactics to Reach the Goal 6 What Do Directors Direct? 7 How to Direct the Eyes 8 Directing the Eyes Deeper in Space and Time 9 How to Make Images Speak: The Hidden Power of Images 10 How to Convey and Suggest Meaning 11 Dramatic Irony 12 Which Doctor? 13 Volcano Chase 14 The BIG Picture: Story Structures 15 Aiming for the Heart 16 Summary: Recapitulation of All Concepts 17 Analysis and Evolution of the Scheherazade Project 18 Conclusion: Now We Must Say Good-bye
PART ONE INTRODUCTION: The Goal Audiences watch movies and animations to be entertained through an emotionally satisfying and meaningful experience. This book shows how to entertain, by structuring the elements of film thematically. You can work with images, words and sounds.
THE PROBLEM Beginners work is often boring and confusing- unemotional. What do directors direct? Attention -clearly and dramatically to tell an emotional story.
THE BEGINNING BASICS History and uses of storyboarding How to tell a story using images. How to storyboard a scene How to draw for storyboarding
PART TWO
STRUCTURAL TACTICS TO REACH THE GOAL How direct attention How to direct the eye How to use images How to convey and suggest meaning Aiming for the heart. Emotional response
SUMMARY Chart and recapitulation of all of the concepts
ANALYSIS AND EVOLUTION OF THE SCHEHERAZADE PROJECT
SCHEHERAZADE and her story will be woven through out, demonstrating 'HOW TO' for each of the concepts being discussed.
Rezensionen
Francis Glebas has put together a really comprehensive and thought-provoking look at the art and craft of film making, specifically directing. His approach, which is to ask a lot of seemingly innocent questions, has much the same effect as the good storytelling he is trying to teach us.it draws us in and makes us think. I can't imagine anyone, in or out of our business, who won't find any number of helpful ideas as they work their way through the filmmaking jungles!! - Roy Disney, Director Emeritus and consultant for The Walt Disney Company
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