Susanne Franco / Marina Nordera (eds.)
Dance Discourses
Keywords in Dance Research
Herausgeber: Franco, Susanne; Nordera, Marina
Susanne Franco / Marina Nordera (eds.)
Dance Discourses
Keywords in Dance Research
Herausgeber: Franco, Susanne; Nordera, Marina
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Exploring contemporary analytical approaches to understanding performance traditions, Dance Discourses pedagogical structure makes it ideal for courses in performing arts and humanities.
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Exploring contemporary analytical approaches to understanding performance traditions, Dance Discourses pedagogical structure makes it ideal for courses in performing arts and humanities.
Produktdetails
- Produktdetails
- Verlag: CRC Press
- Seitenzahl: 296
- Erscheinungstermin: 28. November 2007
- Englisch
- Abmessung: 216mm x 140mm x 16mm
- Gewicht: 345g
- ISBN-13: 9780415423090
- ISBN-10: 0415423090
- Artikelnr.: 37180414
- Verlag: CRC Press
- Seitenzahl: 296
- Erscheinungstermin: 28. November 2007
- Englisch
- Abmessung: 216mm x 140mm x 16mm
- Gewicht: 345g
- ISBN-13: 9780415423090
- ISBN-10: 0415423090
- Artikelnr.: 37180414
Susanne Franco teaches dance history at the University IUAV of Venice and has taught at the Universities of Paris III and Nice. She is the author of Martha Graham (2003), and the editor of Ausdruckstanz. Il corpo, la danza e la critica (2006) and of the series Dance For Word/Dance Forward, and of its first volume Frédéric Flamand (2004). Marina Nordera is professor and chair of Dance Department at Nice University (France). She has taught and performed early dance. Former president of the Italian Association for the Dance Research, she published essays on dance in early modern period. She is currently working on a book on dance and gender in Early Modern Italy.
Contents List of illustrations Notes on contributors Acknowledgements
Introduction Susanne Franco and Marina Nordera Part 1: keyword: POLITICS
topic: AUSDRUCKSTANZ 1.1 Dance and the political: States of exception Mark
Franko 1.2 Fritz Böhme (1881-1952). Archeology of an ideologue Laure
Guilbert 1.3 Ausdruckstanz across the Atlantic Susan Manning 1.4
Ausdruckstanz on the left and the work of Jean Weidt Yvonne Hardt 1.5
Ausdruckstanz: traditions, translations, transmissions Susanne Fanco Part
2: keyword: FEMININE. MASCULINE topic: THEATRICAL DANCE IN THE EIGHTEENTH
CENTURY 2.1 Feminine. Masculine Linda Tomko 2.2 Dido's otherness:
Choreographing race and gender in the ballet d'action Susan Leigh Foster
2.3 Danseuses and danseurs at the Opéra de Paris (1700-25) according to the
cast lists in the libretto--programs Nathalie Lecomte 2.4 A balance lost:
Staging the body and controlling social mobility during the French
Revolution Inge Baxmann 2.5 Gender underway. Notes for histories yet to be
written Marina Nordera Part 3: keyword: IDENTITIES topic: CONTEMPORARY
DANCE 3.1 Dance, identity and identification in the postcolonial world
Andrée Grau 3.2 Resistant identities: Anderson and Ruckert Ramsay Burt 3.3
Donald Byrd: Re/making beauty Thomas deFrantz 3.4 Dispositif trouble: When
what is said is not what is shown Hélène Marquié 3.5 Identity, the
contemporary, and the dancers Isabelle Ginot Name index
Introduction Susanne Franco and Marina Nordera Part 1: keyword: POLITICS
topic: AUSDRUCKSTANZ 1.1 Dance and the political: States of exception Mark
Franko 1.2 Fritz Böhme (1881-1952). Archeology of an ideologue Laure
Guilbert 1.3 Ausdruckstanz across the Atlantic Susan Manning 1.4
Ausdruckstanz on the left and the work of Jean Weidt Yvonne Hardt 1.5
Ausdruckstanz: traditions, translations, transmissions Susanne Fanco Part
2: keyword: FEMININE. MASCULINE topic: THEATRICAL DANCE IN THE EIGHTEENTH
CENTURY 2.1 Feminine. Masculine Linda Tomko 2.2 Dido's otherness:
Choreographing race and gender in the ballet d'action Susan Leigh Foster
2.3 Danseuses and danseurs at the Opéra de Paris (1700-25) according to the
cast lists in the libretto--programs Nathalie Lecomte 2.4 A balance lost:
Staging the body and controlling social mobility during the French
Revolution Inge Baxmann 2.5 Gender underway. Notes for histories yet to be
written Marina Nordera Part 3: keyword: IDENTITIES topic: CONTEMPORARY
DANCE 3.1 Dance, identity and identification in the postcolonial world
Andrée Grau 3.2 Resistant identities: Anderson and Ruckert Ramsay Burt 3.3
Donald Byrd: Re/making beauty Thomas deFrantz 3.4 Dispositif trouble: When
what is said is not what is shown Hélène Marquié 3.5 Identity, the
contemporary, and the dancers Isabelle Ginot Name index
Contents List of illustrations Notes on contributors Acknowledgements
Introduction Susanne Franco and Marina Nordera Part 1: keyword: POLITICS
topic: AUSDRUCKSTANZ 1.1 Dance and the political: States of exception Mark
Franko 1.2 Fritz Böhme (1881-1952). Archeology of an ideologue Laure
Guilbert 1.3 Ausdruckstanz across the Atlantic Susan Manning 1.4
Ausdruckstanz on the left and the work of Jean Weidt Yvonne Hardt 1.5
Ausdruckstanz: traditions, translations, transmissions Susanne Fanco Part
2: keyword: FEMININE. MASCULINE topic: THEATRICAL DANCE IN THE EIGHTEENTH
CENTURY 2.1 Feminine. Masculine Linda Tomko 2.2 Dido's otherness:
Choreographing race and gender in the ballet d'action Susan Leigh Foster
2.3 Danseuses and danseurs at the Opéra de Paris (1700-25) according to the
cast lists in the libretto--programs Nathalie Lecomte 2.4 A balance lost:
Staging the body and controlling social mobility during the French
Revolution Inge Baxmann 2.5 Gender underway. Notes for histories yet to be
written Marina Nordera Part 3: keyword: IDENTITIES topic: CONTEMPORARY
DANCE 3.1 Dance, identity and identification in the postcolonial world
Andrée Grau 3.2 Resistant identities: Anderson and Ruckert Ramsay Burt 3.3
Donald Byrd: Re/making beauty Thomas deFrantz 3.4 Dispositif trouble: When
what is said is not what is shown Hélène Marquié 3.5 Identity, the
contemporary, and the dancers Isabelle Ginot Name index
Introduction Susanne Franco and Marina Nordera Part 1: keyword: POLITICS
topic: AUSDRUCKSTANZ 1.1 Dance and the political: States of exception Mark
Franko 1.2 Fritz Böhme (1881-1952). Archeology of an ideologue Laure
Guilbert 1.3 Ausdruckstanz across the Atlantic Susan Manning 1.4
Ausdruckstanz on the left and the work of Jean Weidt Yvonne Hardt 1.5
Ausdruckstanz: traditions, translations, transmissions Susanne Fanco Part
2: keyword: FEMININE. MASCULINE topic: THEATRICAL DANCE IN THE EIGHTEENTH
CENTURY 2.1 Feminine. Masculine Linda Tomko 2.2 Dido's otherness:
Choreographing race and gender in the ballet d'action Susan Leigh Foster
2.3 Danseuses and danseurs at the Opéra de Paris (1700-25) according to the
cast lists in the libretto--programs Nathalie Lecomte 2.4 A balance lost:
Staging the body and controlling social mobility during the French
Revolution Inge Baxmann 2.5 Gender underway. Notes for histories yet to be
written Marina Nordera Part 3: keyword: IDENTITIES topic: CONTEMPORARY
DANCE 3.1 Dance, identity and identification in the postcolonial world
Andrée Grau 3.2 Resistant identities: Anderson and Ruckert Ramsay Burt 3.3
Donald Byrd: Re/making beauty Thomas deFrantz 3.4 Dispositif trouble: When
what is said is not what is shown Hélène Marquié 3.5 Identity, the
contemporary, and the dancers Isabelle Ginot Name index