The explosive growth of dance studies over the past decade has led to controversies on a host of fundamental issues, from how dance is to be analyzed and interpreted to dance's place in culture and history. The contributors in Moving Words take up these issues, their diverse views reflecting the conceptual clashes of a field in dynamic transition.
The explosive growth of dance studies over the past decade has led to controversies on a host of fundamental issues, from how dance is to be analyzed and interpreted to dance's place in culture and history. The contributors in Moving Words take up these issues, their diverse views reflecting the conceptual clashes of a field in dynamic transition.
Gay Morris is dance and art critic whose work has appeared in numerous journals and periodicals, including Dance Chronicle, ArtNews and Art in America. She teaches dance history at Sonoma State University, California
Inhaltsangabe
List of figures List of contributors Acknowledgments 1 Introduction Part I Strategies Analytical and Interpretive Part II The Body and Gender Part III Histories Reconsidered Part IV Cultural Crossings Index
List of figures List of contributors Acknowledgments 1 Introduction Part I Strategies Analytical and Interpretive Part II The Body and Gender Part III Histories Reconsidered Part IV Cultural Crossings Index
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