Critical Autoethnography
Intersecting Cultural Identities in Everyday Life
Herausgeber: Boylorn, Robin M; Orbe, Mark P
Critical Autoethnography
Intersecting Cultural Identities in Everyday Life
Herausgeber: Boylorn, Robin M; Orbe, Mark P
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Critical Autoethnography: Intersecting Cultural Identities in Everyday Life, Second Edition, examines the development of the field of critical autoethnography through the lens of social identity. Contributors situate interpersonal and intercultural experiences of gender, race, ethnicity, ability, citizenship, sexuality and spirituality.
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Critical Autoethnography: Intersecting Cultural Identities in Everyday Life, Second Edition, examines the development of the field of critical autoethnography through the lens of social identity. Contributors situate interpersonal and intercultural experiences of gender, race, ethnicity, ability, citizenship, sexuality and spirituality.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- 2nd edition
- Seitenzahl: 266
- Erscheinungstermin: 27. November 2020
- Englisch
- Abmessung: 239mm x 157mm x 20mm
- Gewicht: 544g
- ISBN-13: 9780367353025
- ISBN-10: 0367353024
- Artikelnr.: 59985566
- Verlag: Taylor & Francis Ltd (Sales)
- 2nd edition
- Seitenzahl: 266
- Erscheinungstermin: 27. November 2020
- Englisch
- Abmessung: 239mm x 157mm x 20mm
- Gewicht: 544g
- ISBN-13: 9780367353025
- ISBN-10: 0367353024
- Artikelnr.: 59985566
Robin M. Boylorn is Associate Professor of Interpersonal and Intercultural Communication at the University of Alabama. Her research centers identity and autoethnography, focusing primarily on the lived experience(s) of Black women in the U.S. South. She is the author of Sweetwater: Black Women and Narratives of Resilience and co-writer of The Crunk Feminist Collection. Her second monograph, Blackgirl Blue(s), is forthcoming with Routledge. Mark P. Orbe is Professor of Communication and Diversity at Western Michigan University where he also serves as a Faculty Fellow in the Office of Institutional Equity. His scholarly interests focus on the inextricable relationship between culture, power, and communication.
Introduction, Critical Autoethnography as Method of Choice/Choosing
Critical Autoethnography. Part I: Complexities of Identity Performance.
Chapter One, Wounded: Diagnosis (for a) Black Woman. Chapter Two, Critical
Autoethnography as Intersectional Praxis: A Performative Pedagogical
Interplay on Bleeding Borders of Identity. Chapter Three, Performing
Fortune Cookie: An Autoethnographic Performance on Diasporic Hybridity.
Chapter Four, Negotiating More, (Mis)labeling the Body: A Tale of
Intersectionality. Chapter Five, My Butch Body: An Autoethnography of
Gender and (Dis)ease. Storied Summary. Part II: Relationships in Diverse
Contexts. Chapter Six, Post-Coming Out Complications: Familial Experiences
After the Disclosure of Queerness. Chapter Seven, Connecting with Water
Spirits: An Autoethnography of Home and Higher Education. Chapter Eight,
Negating the Inevitable: An Autoethnographic Analysis of First-Generation
College Student Status. Chapter Nine, Deep South Mennonite, Transgender
Amish: A Critical Autoethnography of White Cisheteronormativity. Chapter
Ten, The Transitory Radical: Making Place with Cancer and Crafting Liveable
Truths. Storied Summary. Part III: Pathways to Culturally Authentic Selves
. Chapter Eleven, I-395. Chapter Twelve, Tikkun Olam From a Queer Jewess
Perspective. Chapter Thirteen, A Story and A Stereotype: An Angry and
Strong Autoethnography. Chapter Fourteen, Socioeconomic (Im)Mobility:
Resisting Classifications within a "Post-Projects" Identity. Chapter
Fifteen, Tongue Does Matter: Examining the Impact of English
Neo-Imperialism Through Exophonic Autoethnography. Storied Summary.
Critical Autoethnography. Part I: Complexities of Identity Performance.
Chapter One, Wounded: Diagnosis (for a) Black Woman. Chapter Two, Critical
Autoethnography as Intersectional Praxis: A Performative Pedagogical
Interplay on Bleeding Borders of Identity. Chapter Three, Performing
Fortune Cookie: An Autoethnographic Performance on Diasporic Hybridity.
Chapter Four, Negotiating More, (Mis)labeling the Body: A Tale of
Intersectionality. Chapter Five, My Butch Body: An Autoethnography of
Gender and (Dis)ease. Storied Summary. Part II: Relationships in Diverse
Contexts. Chapter Six, Post-Coming Out Complications: Familial Experiences
After the Disclosure of Queerness. Chapter Seven, Connecting with Water
Spirits: An Autoethnography of Home and Higher Education. Chapter Eight,
Negating the Inevitable: An Autoethnographic Analysis of First-Generation
College Student Status. Chapter Nine, Deep South Mennonite, Transgender
Amish: A Critical Autoethnography of White Cisheteronormativity. Chapter
Ten, The Transitory Radical: Making Place with Cancer and Crafting Liveable
Truths. Storied Summary. Part III: Pathways to Culturally Authentic Selves
. Chapter Eleven, I-395. Chapter Twelve, Tikkun Olam From a Queer Jewess
Perspective. Chapter Thirteen, A Story and A Stereotype: An Angry and
Strong Autoethnography. Chapter Fourteen, Socioeconomic (Im)Mobility:
Resisting Classifications within a "Post-Projects" Identity. Chapter
Fifteen, Tongue Does Matter: Examining the Impact of English
Neo-Imperialism Through Exophonic Autoethnography. Storied Summary.
Introduction, Critical Autoethnography as Method of Choice/Choosing
Critical Autoethnography. Part I: Complexities of Identity Performance.
Chapter One, Wounded: Diagnosis (for a) Black Woman. Chapter Two, Critical
Autoethnography as Intersectional Praxis: A Performative Pedagogical
Interplay on Bleeding Borders of Identity. Chapter Three, Performing
Fortune Cookie: An Autoethnographic Performance on Diasporic Hybridity.
Chapter Four, Negotiating More, (Mis)labeling the Body: A Tale of
Intersectionality. Chapter Five, My Butch Body: An Autoethnography of
Gender and (Dis)ease. Storied Summary. Part II: Relationships in Diverse
Contexts. Chapter Six, Post-Coming Out Complications: Familial Experiences
After the Disclosure of Queerness. Chapter Seven, Connecting with Water
Spirits: An Autoethnography of Home and Higher Education. Chapter Eight,
Negating the Inevitable: An Autoethnographic Analysis of First-Generation
College Student Status. Chapter Nine, Deep South Mennonite, Transgender
Amish: A Critical Autoethnography of White Cisheteronormativity. Chapter
Ten, The Transitory Radical: Making Place with Cancer and Crafting Liveable
Truths. Storied Summary. Part III: Pathways to Culturally Authentic Selves
. Chapter Eleven, I-395. Chapter Twelve, Tikkun Olam From a Queer Jewess
Perspective. Chapter Thirteen, A Story and A Stereotype: An Angry and
Strong Autoethnography. Chapter Fourteen, Socioeconomic (Im)Mobility:
Resisting Classifications within a "Post-Projects" Identity. Chapter
Fifteen, Tongue Does Matter: Examining the Impact of English
Neo-Imperialism Through Exophonic Autoethnography. Storied Summary.
Critical Autoethnography. Part I: Complexities of Identity Performance.
Chapter One, Wounded: Diagnosis (for a) Black Woman. Chapter Two, Critical
Autoethnography as Intersectional Praxis: A Performative Pedagogical
Interplay on Bleeding Borders of Identity. Chapter Three, Performing
Fortune Cookie: An Autoethnographic Performance on Diasporic Hybridity.
Chapter Four, Negotiating More, (Mis)labeling the Body: A Tale of
Intersectionality. Chapter Five, My Butch Body: An Autoethnography of
Gender and (Dis)ease. Storied Summary. Part II: Relationships in Diverse
Contexts. Chapter Six, Post-Coming Out Complications: Familial Experiences
After the Disclosure of Queerness. Chapter Seven, Connecting with Water
Spirits: An Autoethnography of Home and Higher Education. Chapter Eight,
Negating the Inevitable: An Autoethnographic Analysis of First-Generation
College Student Status. Chapter Nine, Deep South Mennonite, Transgender
Amish: A Critical Autoethnography of White Cisheteronormativity. Chapter
Ten, The Transitory Radical: Making Place with Cancer and Crafting Liveable
Truths. Storied Summary. Part III: Pathways to Culturally Authentic Selves
. Chapter Eleven, I-395. Chapter Twelve, Tikkun Olam From a Queer Jewess
Perspective. Chapter Thirteen, A Story and A Stereotype: An Angry and
Strong Autoethnography. Chapter Fourteen, Socioeconomic (Im)Mobility:
Resisting Classifications within a "Post-Projects" Identity. Chapter
Fifteen, Tongue Does Matter: Examining the Impact of English
Neo-Imperialism Through Exophonic Autoethnography. Storied Summary.