Code-Choice and Identity Construction on Stage challenges the general assumption that language is only one of the codes employed in a theatrical performance; Sirkku Aaltonen changes the perspective to the audience, foregrounding the chosen language variety as a trigger for their reactions.
Code-Choice and Identity Construction on Stage challenges the general assumption that language is only one of the codes employed in a theatrical performance; Sirkku Aaltonen changes the perspective to the audience, foregrounding the chosen language variety as a trigger for their reactions.
Sirkku Aaltonen is one of the pioneers in the study of drama and theatre translation. She is an affiliated researcher at the University of Vaasa, Finland and a visiting Researcher at Effat Socio-Cultural Studies Research Center at Effat University in Jeddah, the Kingdom of Saudi Arabia.
Inhaltsangabe
Introduction 1 'Raw' and 'cooked' linguistic identities 2 Threshold of tolerance overstepped: rejection 3 Acceptance of linguistic code: fostering and affirming identity 4 Changes in receoption Conclusions
Introduction 1 'Raw' and 'cooked' linguistic identities 2 Threshold of tolerance overstepped: rejection 3 Acceptance of linguistic code: fostering and affirming identity 4 Changes in receoption Conclusions
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