History of the relationship between government regulation of the film industry in the UK and the the developing film industry in India between the 1920s and 1940s.
History of the relationship between government regulation of the film industry in the UK and the the developing film industry in India between the 1920s and 1940s.
Priya Jaikumar is Assistant Professor in the School of Cinema-Television at the University of Southern California.
Inhaltsangabe
List of Illustrations xi Acknowledgments xii Introduction 1 1. Film Policy and Film Aesthetics as Cultural Archives 13 Part One. Imperial Governmentality 2. Acts of Transition: The British Cinematographic Films Acts of 1927 and 1938 41 3. Empire and Embarassment: Colonial Forms of Knowledge about Cinema 65 Part Two. Imperial Redemption 4. Realism and Empire 107 5. Romance and Empire 135 6. Modernism and Empire 165 Part Three. Colonial Autonomy 7. Historical Romances and Modernist Myths in Indian Cinema 195 Notes 239 Bibliography 289 Index of Films 309 General Index 313
List of Illustrations xi Acknowledgments xii Introduction 1 1. Film Policy and Film Aesthetics as Cultural Archives 13 Part One. Imperial Governmentality 2. Acts of Transition: The British Cinematographic Films Acts of 1927 and 1938 41 3. Empire and Embarassment: Colonial Forms of Knowledge about Cinema 65 Part Two. Imperial Redemption 4. Realism and Empire 107 5. Romance and Empire 135 6. Modernism and Empire 165 Part Three. Colonial Autonomy 7. Historical Romances and Modernist Myths in Indian Cinema 195 Notes 239 Bibliography 289 Index of Films 309 General Index 313
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