In these films, the orphan becomes a cinematic trope that interrogates socialist visions of ideological institutionalization and re-education and stands as a silent critic of the system's shortcomings or as a resilient spirit who has resisted capture by the political apparatus of the new state.
In these films, the orphan becomes a cinematic trope that interrogates socialist visions of ideological institutionalization and re-education and stands as a silent critic of the system's shortcomings or as a resilient spirit who has resisted capture by the political apparatus of the new state.
Constantin Parvulescu is Research Fellow at the Institute for Culture and Society at University of Navarra, Spain. He is editor (with Robert A. Rosenstone) of A Companion to the Historical Film.
Inhaltsangabe
Introduction: The Socialist Experience and Beyond 1. Creatures of the Event: Subject Production in the Reconstruction Era 2. Producing Revolutionary Consciousness in the Times of Radical Socialism 3. The Testifying Orphan: Rethinking Modernity's Optimism 4. Children of the Revolution: The Rebirth of the Subject in Revisionist Discourse 5. The Family of Victims: Stalinism Revisited in the 1980s Epilogue: The Abandoned Offspring of Late Socialism Notes Works Cited Index
Introduction: The Socialist Experience and Beyond 1. Creatures of the Event: Subject Production in the Reconstruction Era 2. Producing Revolutionary Consciousness in the Times of Radical Socialism 3. The Testifying Orphan: Rethinking Modernity's Optimism 4. Children of the Revolution: The Rebirth of the Subject in Revisionist Discourse 5. The Family of Victims: Stalinism Revisited in the 1980s Epilogue: The Abandoned Offspring of Late Socialism Notes Works Cited Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309