"A remarkably positive achievement that contributes significantly to an understanding of quite a range of texts, to an understanding of specific currents of literary modernism, and most generally to an understanding of class, which--in a U.S. context especially--remains that most vexed of social categories."--Evan Watkins, Pennsylvania State University
"A remarkably positive achievement that contributes significantly to an understanding of quite a range of texts, to an understanding of specific currents of literary modernism, and most generally to an understanding of class, which--in a U.S. context especially--remains that most vexed of social categories."--Evan Watkins, Pennsylvania State University
Robert Seguin is Visiting Assistant Professor of English at the State University of New York at Brockport.
Inhaltsangabe
Acknowledgments 1. Introduction: Class, Middle Class, and the Modalities of Labor 2. The Burden of Toil: Sister Carrie as Urban Pastoral 3. Willa Cather and the Ambivalence of Hierarchy 4. New Frontiers in Hollywood: Mobility and Desire in The Day of the Locust 5. Into the 1950s: Fiction in a Age of Consensus Postscript: The Insistence of Class and the Framing of Culture in the American Scene Notes Bibliography Index
Acknowledgments 1. Introduction: Class, Middle Class, and the Modalities of Labor 2. The Burden of Toil: Sister Carrie as Urban Pastoral 3. Willa Cather and the Ambivalence of Hierarchy 4. New Frontiers in Hollywood: Mobility and Desire in The Day of the Locust 5. Into the 1950s: Fiction in a Age of Consensus Postscript: The Insistence of Class and the Framing of Culture in the American Scene Notes Bibliography Index
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