"Sean Kicummah Teuton offers a powerful vision of American Indian literary studies and its dialogue with contemporary literary criticism. He understands how to connect theoretical discussion to the practical politics of Indian culture and literature. Every scholar in the field will want to read this book."--Robert Dale Parker, author of "The Invention of Native American Literature"
"Sean Kicummah Teuton offers a powerful vision of American Indian literary studies and its dialogue with contemporary literary criticism. He understands how to connect theoretical discussion to the practical politics of Indian culture and literature. Every scholar in the field will want to read this book."--Robert Dale Parker, author of "The Invention of Native American Literature"
Sean Kicummah Teuton is Associate Professor of English and American Indian Studies at the University of Wisconsin-Madison. He is a citizen of the Cherokee Nation.
Inhaltsangabe
Acknowledgments xi Preface xiii Introduction: Imagining an American Indian Center 1 Part I. Red Land 1. Embodying Lands: Somatic Place in N. Scott Momaday's House Made of Dawn 43 2. Placing the Ancestors: Historical Identity in James Welch's Winter in the Blood 79 Part II. Red Power 3. Learning to Feel: Tribal Experience in Leslie Marmon Silko's ` 119 4. Hearing the Callout: American Indian Political Criticism 157 Conclusion: Building Cultural Knowledge in the Contemporary Native Novel 197 Notes 235 Bibliography 257 Index 281
Acknowledgments xi Preface xiii Introduction: Imagining an American Indian Center 1 Part I. Red Land 1. Embodying Lands: Somatic Place in N. Scott Momaday's House Made of Dawn 43 2. Placing the Ancestors: Historical Identity in James Welch's Winter in the Blood 79 Part II. Red Power 3. Learning to Feel: Tribal Experience in Leslie Marmon Silko's ` 119 4. Hearing the Callout: American Indian Political Criticism 157 Conclusion: Building Cultural Knowledge in the Contemporary Native Novel 197 Notes 235 Bibliography 257 Index 281
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