Presents a short history of artworks at risk of passing unnoticed because they look like trash, or are little more than commonplace objects and fleeting gestures that disappear into the fabric of everyday life
Presents a short history of artworks at risk of passing unnoticed because they look like trash, or are little more than commonplace objects and fleeting gestures that disappear into the fabric of everyday life
Anna Dezeuze is Lecturer in Art History at the Ecole Supérieure d'Art et de Design Marseille-Méditerranée in Marseilles
Inhaltsangabe
Introduction: Almost nothing Part I: 'Dharma bums', 1958 71 1. Junk aesthetics in a throwaway age 2. 'At the point of imperceptibility' 3. The 'good for nothing' Part II: The 'light years', 1991 2009 4. Joins in the age of 'liquid modernity' 5. Futility and precarity Postscript: On the humanism of precarious works Index
Introduction: Almost nothing Part I: 'Dharma bums', 1958 71 1. Junk aesthetics in a throwaway age 2. 'At the point of imperceptibility' 3. The 'good for nothing' Part II: The 'light years', 1991 2009 4. Joins in the age of 'liquid modernity' 5. Futility and precarity Postscript: On the humanism of precarious works Index
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