Sheds light on artistic production and the emergence of contemporary art in Armenia from the ruins of the socialist utopian project and the failure to realise the romanticised consumerism of the capitalist West.
Sheds light on artistic production and the emergence of contemporary art in Armenia from the ruins of the socialist utopian project and the failure to realise the romanticised consumerism of the capitalist West.
Angela Harutyunyan is Associate Professor of Modern and Contemporary Art and Theory at the American University of Beirut.
Inhaltsangabe
Introduction 1 Between the ideal and a hard place: the conceptual horizons of the avant garde in Armenia 2 The 'painterly real' of contemporary art: resurrected ghosts, living heroes and saintly saviours on the 3rd Floor, 1987 94 3 Suspending the 'painterly real': ACT's procedures of pure creation, 1993 6 4 The revenge of the painterly: national post conceptualism, 1995 8 5 The reign of the 'painterly real' and the politics of crisis, 1999 2004 Index
Introduction 1 Between the ideal and a hard place: the conceptual horizons of the avant garde in Armenia 2 The 'painterly real' of contemporary art: resurrected ghosts, living heroes and saintly saviours on the 3rd Floor, 1987 94 3 Suspending the 'painterly real': ACT's procedures of pure creation, 1993 6 4 The revenge of the painterly: national post conceptualism, 1995 8 5 The reign of the 'painterly real' and the politics of crisis, 1999 2004 Index
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