Sally M. Foster, Morag Cross
Able Minds and Practiced Hands
Scotland's Early Medieval Sculpture in the 21st Century
Sally M. Foster, Morag Cross
Able Minds and Practiced Hands
Scotland's Early Medieval Sculpture in the 21st Century
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This book presents essays that exemplify key themes including the interdependence of conservation, research and access; the need for a 21st-century inventory of the medieval sculpture; the breadth and value of the wide range of the research tools; and conservation issue.
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This book presents essays that exemplify key themes including the interdependence of conservation, research and access; the need for a 21st-century inventory of the medieval sculpture; the breadth and value of the wide range of the research tools; and conservation issue.
Produktdetails
- Produktdetails
- The Society for Medieval Archaeology Monographs
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 440
- Erscheinungstermin: 30. Juni 2020
- Englisch
- Abmessung: 174mm x 246mm x 30mm
- Gewicht: 766g
- ISBN-13: 9780367604332
- ISBN-10: 0367604337
- Artikelnr.: 63676575
- The Society for Medieval Archaeology Monographs
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 440
- Erscheinungstermin: 30. Juni 2020
- Englisch
- Abmessung: 174mm x 246mm x 30mm
- Gewicht: 766g
- ISBN-13: 9780367604332
- ISBN-10: 0367604337
- Artikelnr.: 63676575
Sally M. Foster, Morag Cross
1. Introduction: Able Minds and Practised Hands: Historical Fact,
21st-Century Aspiration 2. Sculpture in Action: Contexts for Stone Carving
on the Tarbat Peninsula, Easter Ross 3. That Stone was Born Here and That's
Where it Belongs': Hilton of Cadboll and the Negotiation of Identity,
Ownership and Belonging 4. Just an Ald Steen': Reverence, Reuse, Revulsion
and Rediscovery 5. Fragments of Significance: The Whole Picture 6. Christ's
Cross Down into the Earth: Some Cross-Bases and their Problems 7. Pictish
Cross-Slabs: An Examination of their Original Archaeological Context 8. Hic
Memoria Perpetua: The Early Inscribed Stones of Southern Scotland in
Context 9. The Govan School Revisited: Searching for Meaning in the Early
Medieval Sculpture of Strathclyde 10. Scotland's Early Medieval Sculpture
in the 21st Century: A Strategic Overview of Conservation Problems,
Maintenance and Replication Methods 11. The Containment of Scottish Carved
Stones in Situ: An Environmental Study of the Efficacy of Glazed Enclosures
12. The Runic Inscriptions of Scotland: Preservation, Documentation and
Interpretation 13. Understanding What We See, or Seeing What We Understand:
Graphic Recording, Past and Present, of the Early Medieval Sculpture at St
Vigeans 14. The Bulls of Burghead and Allen's Technique of Illustration 15.
A Perfect Accuracy of Delineation': Charlotte Wilhelmina Hibbert's Drawings
of Early Medieval Carved Stones in Scotland 16. Bird, Beast or Fish?
Problems of Identification and Interpretation of the Iconography Carved on
the Tarbat Peninsula Cross-Slabs 17. Figuring Salvation: An Excursus into
the Iconography of the Iona Crosses 18. The Role of Geological Analysis of
Monuments: A Case Study from St Vigeans and Related Sites 19. The Early
Medieval Sculptures from Murthly, Perth and Kinross: An Interdisciplinary
Look at People, Politics and Monumental Art 20. Know Your Properties,
Recognise the Possibilities: Historic Scotland's Strategy for the
Interpretation of Early Medieval Sculpture in its Care 21. Proposals for
the Re-Display of the Early Medieval Sculpture Collection at Whithorn: The
Evolution of an Interpretative Approach 22. Curators of the Last Resort:
The Role of a Local Museum Service in the Preservation and Interpretation
of Early Medieval Sculptured Stones 23. A Museum Curator's Adventures in
Pictland 24. The Missing Dimension: Future Directions in Digital Recording
of Early Medieval Sculptured Stone 25. Three-Dimensional Recording of
Pictish Sculpture 26. Towards A 'New ECMS': The Proposal for a New Corpus
of Early Medieval Sculpture in Scotland
21st-Century Aspiration 2. Sculpture in Action: Contexts for Stone Carving
on the Tarbat Peninsula, Easter Ross 3. That Stone was Born Here and That's
Where it Belongs': Hilton of Cadboll and the Negotiation of Identity,
Ownership and Belonging 4. Just an Ald Steen': Reverence, Reuse, Revulsion
and Rediscovery 5. Fragments of Significance: The Whole Picture 6. Christ's
Cross Down into the Earth: Some Cross-Bases and their Problems 7. Pictish
Cross-Slabs: An Examination of their Original Archaeological Context 8. Hic
Memoria Perpetua: The Early Inscribed Stones of Southern Scotland in
Context 9. The Govan School Revisited: Searching for Meaning in the Early
Medieval Sculpture of Strathclyde 10. Scotland's Early Medieval Sculpture
in the 21st Century: A Strategic Overview of Conservation Problems,
Maintenance and Replication Methods 11. The Containment of Scottish Carved
Stones in Situ: An Environmental Study of the Efficacy of Glazed Enclosures
12. The Runic Inscriptions of Scotland: Preservation, Documentation and
Interpretation 13. Understanding What We See, or Seeing What We Understand:
Graphic Recording, Past and Present, of the Early Medieval Sculpture at St
Vigeans 14. The Bulls of Burghead and Allen's Technique of Illustration 15.
A Perfect Accuracy of Delineation': Charlotte Wilhelmina Hibbert's Drawings
of Early Medieval Carved Stones in Scotland 16. Bird, Beast or Fish?
Problems of Identification and Interpretation of the Iconography Carved on
the Tarbat Peninsula Cross-Slabs 17. Figuring Salvation: An Excursus into
the Iconography of the Iona Crosses 18. The Role of Geological Analysis of
Monuments: A Case Study from St Vigeans and Related Sites 19. The Early
Medieval Sculptures from Murthly, Perth and Kinross: An Interdisciplinary
Look at People, Politics and Monumental Art 20. Know Your Properties,
Recognise the Possibilities: Historic Scotland's Strategy for the
Interpretation of Early Medieval Sculpture in its Care 21. Proposals for
the Re-Display of the Early Medieval Sculpture Collection at Whithorn: The
Evolution of an Interpretative Approach 22. Curators of the Last Resort:
The Role of a Local Museum Service in the Preservation and Interpretation
of Early Medieval Sculptured Stones 23. A Museum Curator's Adventures in
Pictland 24. The Missing Dimension: Future Directions in Digital Recording
of Early Medieval Sculptured Stone 25. Three-Dimensional Recording of
Pictish Sculpture 26. Towards A 'New ECMS': The Proposal for a New Corpus
of Early Medieval Sculpture in Scotland
1. Introduction: Able Minds and Practised Hands: Historical Fact,
21st-Century Aspiration 2. Sculpture in Action: Contexts for Stone Carving
on the Tarbat Peninsula, Easter Ross 3. That Stone was Born Here and That's
Where it Belongs': Hilton of Cadboll and the Negotiation of Identity,
Ownership and Belonging 4. Just an Ald Steen': Reverence, Reuse, Revulsion
and Rediscovery 5. Fragments of Significance: The Whole Picture 6. Christ's
Cross Down into the Earth: Some Cross-Bases and their Problems 7. Pictish
Cross-Slabs: An Examination of their Original Archaeological Context 8. Hic
Memoria Perpetua: The Early Inscribed Stones of Southern Scotland in
Context 9. The Govan School Revisited: Searching for Meaning in the Early
Medieval Sculpture of Strathclyde 10. Scotland's Early Medieval Sculpture
in the 21st Century: A Strategic Overview of Conservation Problems,
Maintenance and Replication Methods 11. The Containment of Scottish Carved
Stones in Situ: An Environmental Study of the Efficacy of Glazed Enclosures
12. The Runic Inscriptions of Scotland: Preservation, Documentation and
Interpretation 13. Understanding What We See, or Seeing What We Understand:
Graphic Recording, Past and Present, of the Early Medieval Sculpture at St
Vigeans 14. The Bulls of Burghead and Allen's Technique of Illustration 15.
A Perfect Accuracy of Delineation': Charlotte Wilhelmina Hibbert's Drawings
of Early Medieval Carved Stones in Scotland 16. Bird, Beast or Fish?
Problems of Identification and Interpretation of the Iconography Carved on
the Tarbat Peninsula Cross-Slabs 17. Figuring Salvation: An Excursus into
the Iconography of the Iona Crosses 18. The Role of Geological Analysis of
Monuments: A Case Study from St Vigeans and Related Sites 19. The Early
Medieval Sculptures from Murthly, Perth and Kinross: An Interdisciplinary
Look at People, Politics and Monumental Art 20. Know Your Properties,
Recognise the Possibilities: Historic Scotland's Strategy for the
Interpretation of Early Medieval Sculpture in its Care 21. Proposals for
the Re-Display of the Early Medieval Sculpture Collection at Whithorn: The
Evolution of an Interpretative Approach 22. Curators of the Last Resort:
The Role of a Local Museum Service in the Preservation and Interpretation
of Early Medieval Sculptured Stones 23. A Museum Curator's Adventures in
Pictland 24. The Missing Dimension: Future Directions in Digital Recording
of Early Medieval Sculptured Stone 25. Three-Dimensional Recording of
Pictish Sculpture 26. Towards A 'New ECMS': The Proposal for a New Corpus
of Early Medieval Sculpture in Scotland
21st-Century Aspiration 2. Sculpture in Action: Contexts for Stone Carving
on the Tarbat Peninsula, Easter Ross 3. That Stone was Born Here and That's
Where it Belongs': Hilton of Cadboll and the Negotiation of Identity,
Ownership and Belonging 4. Just an Ald Steen': Reverence, Reuse, Revulsion
and Rediscovery 5. Fragments of Significance: The Whole Picture 6. Christ's
Cross Down into the Earth: Some Cross-Bases and their Problems 7. Pictish
Cross-Slabs: An Examination of their Original Archaeological Context 8. Hic
Memoria Perpetua: The Early Inscribed Stones of Southern Scotland in
Context 9. The Govan School Revisited: Searching for Meaning in the Early
Medieval Sculpture of Strathclyde 10. Scotland's Early Medieval Sculpture
in the 21st Century: A Strategic Overview of Conservation Problems,
Maintenance and Replication Methods 11. The Containment of Scottish Carved
Stones in Situ: An Environmental Study of the Efficacy of Glazed Enclosures
12. The Runic Inscriptions of Scotland: Preservation, Documentation and
Interpretation 13. Understanding What We See, or Seeing What We Understand:
Graphic Recording, Past and Present, of the Early Medieval Sculpture at St
Vigeans 14. The Bulls of Burghead and Allen's Technique of Illustration 15.
A Perfect Accuracy of Delineation': Charlotte Wilhelmina Hibbert's Drawings
of Early Medieval Carved Stones in Scotland 16. Bird, Beast or Fish?
Problems of Identification and Interpretation of the Iconography Carved on
the Tarbat Peninsula Cross-Slabs 17. Figuring Salvation: An Excursus into
the Iconography of the Iona Crosses 18. The Role of Geological Analysis of
Monuments: A Case Study from St Vigeans and Related Sites 19. The Early
Medieval Sculptures from Murthly, Perth and Kinross: An Interdisciplinary
Look at People, Politics and Monumental Art 20. Know Your Properties,
Recognise the Possibilities: Historic Scotland's Strategy for the
Interpretation of Early Medieval Sculpture in its Care 21. Proposals for
the Re-Display of the Early Medieval Sculpture Collection at Whithorn: The
Evolution of an Interpretative Approach 22. Curators of the Last Resort:
The Role of a Local Museum Service in the Preservation and Interpretation
of Early Medieval Sculptured Stones 23. A Museum Curator's Adventures in
Pictland 24. The Missing Dimension: Future Directions in Digital Recording
of Early Medieval Sculptured Stone 25. Three-Dimensional Recording of
Pictish Sculpture 26. Towards A 'New ECMS': The Proposal for a New Corpus
of Early Medieval Sculpture in Scotland