A European Television Fiction Renaissance
Premium Production Models and Transnational Circulation
Herausgeber: Barra, Luca; Scaglioni, Massimo
A European Television Fiction Renaissance
Premium Production Models and Transnational Circulation
Herausgeber: Barra, Luca; Scaglioni, Massimo
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This book maps the landscape of contemporary European premium television fiction, offering a detailed overview of both the changes in the digital production and distribution and the emergence of specific national and transnational case histories.
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This book maps the landscape of contemporary European premium television fiction, offering a detailed overview of both the changes in the digital production and distribution and the emergence of specific national and transnational case histories.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 308
- Erscheinungstermin: 30. November 2020
- Englisch
- Abmessung: 234mm x 163mm x 23mm
- Gewicht: 612g
- ISBN-13: 9780367345402
- ISBN-10: 0367345404
- Artikelnr.: 60010239
- Verlag: Taylor & Francis
- Seitenzahl: 308
- Erscheinungstermin: 30. November 2020
- Englisch
- Abmessung: 234mm x 163mm x 23mm
- Gewicht: 612g
- ISBN-13: 9780367345402
- ISBN-10: 0367345404
- Artikelnr.: 60010239
Luca Barra is Associate Professor of Television and Digital Media at Università di Bologna, Italy. Massimo Scaglioni is Full Professor of Media Economics and History at Università Cattolica del Sacro Cuore, Milan.
1. Introduction: The Many Steps and Factors of a European Renaissance
Luca Barra and Massimo Scaglioni
Part I: Researching European Fiction
2. The Grounds for a Renaissance in European Fiction: Transnational
Writing, Production and Distribution Approaches and Strategies
Luca Barra and Massimo Scaglioni
3. Mapping European Premium Scripted TV: Trends, Patterns and Data in an
Emerging EU Market
Dom Holdaway, Cecilia Penati and Anna Sfardini
4. Transnational Circulation of European TV Series: National Models and
Industrial Strategies for Scripted Pay Imports/Exports
Paolo Carelli and Damiano Garofalo
Part II: United Kingdom
5. A 21st-Century Gold Rush? Video on Demand and the Global Competition for
UK Television
Philip Drake
6. "The Biggest Drama Commission in British Television History": Netflix,
The Crown and the UK Television Ecosystem
Roberta Pearson
Part III: France
7. Video on Demand Platforms, Editorial Strategies and Logics of
Production: The Case of Netflix France
Christel Taillibert and Bruno Cailler
8. The Strategy of "Quality TV": Branding, Creating and Producing at Canal+
Hélène Monnet-Cantagrel
9. What is a Quality French Series? Reflections on The Bureau
François Jost
Part IV: Italy
10. Towards a New Model for Italian TV Fiction: Sky Italia Originals and
the Struggle for Difference
Luca Barra and Massimo Scaglioni
11. The Holy See(ing): Splendors and Miseries of The Young Pope
Giancarlo Lombardi
Part V: Germany
12. TV Drama Series Production in Germany and the Digital Television
Landscape
Lothar Mikos
13. Selling Location, Selling History: New German Series and Changing
Market Logic
Susanne Eichner
Part VI: Spain
14. Ways of Production and Distribution as Movistar+
Juan Francisco Gutiérrez Lozano
15. Bambú Producciones and the Transformation of Spanish Television Fiction
Production
Concepción Cascajosa-Virino
Part VII: Central and Eastern Europe
16. HBO Europe's Original Programming in the Era of Streaming Wars
Petr Szczepanik
17. Quality by Design: Feature TV Series from Premium Television in Poland
Artur Majer
18. Familiar, Much Too Familiar... HBO's Hungarian Original Productions and
the Questions of Cultural Proximity
Balasz Varga
Luca Barra and Massimo Scaglioni
Part I: Researching European Fiction
2. The Grounds for a Renaissance in European Fiction: Transnational
Writing, Production and Distribution Approaches and Strategies
Luca Barra and Massimo Scaglioni
3. Mapping European Premium Scripted TV: Trends, Patterns and Data in an
Emerging EU Market
Dom Holdaway, Cecilia Penati and Anna Sfardini
4. Transnational Circulation of European TV Series: National Models and
Industrial Strategies for Scripted Pay Imports/Exports
Paolo Carelli and Damiano Garofalo
Part II: United Kingdom
5. A 21st-Century Gold Rush? Video on Demand and the Global Competition for
UK Television
Philip Drake
6. "The Biggest Drama Commission in British Television History": Netflix,
The Crown and the UK Television Ecosystem
Roberta Pearson
Part III: France
7. Video on Demand Platforms, Editorial Strategies and Logics of
Production: The Case of Netflix France
Christel Taillibert and Bruno Cailler
8. The Strategy of "Quality TV": Branding, Creating and Producing at Canal+
Hélène Monnet-Cantagrel
9. What is a Quality French Series? Reflections on The Bureau
François Jost
Part IV: Italy
10. Towards a New Model for Italian TV Fiction: Sky Italia Originals and
the Struggle for Difference
Luca Barra and Massimo Scaglioni
11. The Holy See(ing): Splendors and Miseries of The Young Pope
Giancarlo Lombardi
Part V: Germany
12. TV Drama Series Production in Germany and the Digital Television
Landscape
Lothar Mikos
13. Selling Location, Selling History: New German Series and Changing
Market Logic
Susanne Eichner
Part VI: Spain
14. Ways of Production and Distribution as Movistar+
Juan Francisco Gutiérrez Lozano
15. Bambú Producciones and the Transformation of Spanish Television Fiction
Production
Concepción Cascajosa-Virino
Part VII: Central and Eastern Europe
16. HBO Europe's Original Programming in the Era of Streaming Wars
Petr Szczepanik
17. Quality by Design: Feature TV Series from Premium Television in Poland
Artur Majer
18. Familiar, Much Too Familiar... HBO's Hungarian Original Productions and
the Questions of Cultural Proximity
Balasz Varga
1. Introduction: The Many Steps and Factors of a European Renaissance
Luca Barra and Massimo Scaglioni
Part I: Researching European Fiction
2. The Grounds for a Renaissance in European Fiction: Transnational
Writing, Production and Distribution Approaches and Strategies
Luca Barra and Massimo Scaglioni
3. Mapping European Premium Scripted TV: Trends, Patterns and Data in an
Emerging EU Market
Dom Holdaway, Cecilia Penati and Anna Sfardini
4. Transnational Circulation of European TV Series: National Models and
Industrial Strategies for Scripted Pay Imports/Exports
Paolo Carelli and Damiano Garofalo
Part II: United Kingdom
5. A 21st-Century Gold Rush? Video on Demand and the Global Competition for
UK Television
Philip Drake
6. "The Biggest Drama Commission in British Television History": Netflix,
The Crown and the UK Television Ecosystem
Roberta Pearson
Part III: France
7. Video on Demand Platforms, Editorial Strategies and Logics of
Production: The Case of Netflix France
Christel Taillibert and Bruno Cailler
8. The Strategy of "Quality TV": Branding, Creating and Producing at Canal+
Hélène Monnet-Cantagrel
9. What is a Quality French Series? Reflections on The Bureau
François Jost
Part IV: Italy
10. Towards a New Model for Italian TV Fiction: Sky Italia Originals and
the Struggle for Difference
Luca Barra and Massimo Scaglioni
11. The Holy See(ing): Splendors and Miseries of The Young Pope
Giancarlo Lombardi
Part V: Germany
12. TV Drama Series Production in Germany and the Digital Television
Landscape
Lothar Mikos
13. Selling Location, Selling History: New German Series and Changing
Market Logic
Susanne Eichner
Part VI: Spain
14. Ways of Production and Distribution as Movistar+
Juan Francisco Gutiérrez Lozano
15. Bambú Producciones and the Transformation of Spanish Television Fiction
Production
Concepción Cascajosa-Virino
Part VII: Central and Eastern Europe
16. HBO Europe's Original Programming in the Era of Streaming Wars
Petr Szczepanik
17. Quality by Design: Feature TV Series from Premium Television in Poland
Artur Majer
18. Familiar, Much Too Familiar... HBO's Hungarian Original Productions and
the Questions of Cultural Proximity
Balasz Varga
Luca Barra and Massimo Scaglioni
Part I: Researching European Fiction
2. The Grounds for a Renaissance in European Fiction: Transnational
Writing, Production and Distribution Approaches and Strategies
Luca Barra and Massimo Scaglioni
3. Mapping European Premium Scripted TV: Trends, Patterns and Data in an
Emerging EU Market
Dom Holdaway, Cecilia Penati and Anna Sfardini
4. Transnational Circulation of European TV Series: National Models and
Industrial Strategies for Scripted Pay Imports/Exports
Paolo Carelli and Damiano Garofalo
Part II: United Kingdom
5. A 21st-Century Gold Rush? Video on Demand and the Global Competition for
UK Television
Philip Drake
6. "The Biggest Drama Commission in British Television History": Netflix,
The Crown and the UK Television Ecosystem
Roberta Pearson
Part III: France
7. Video on Demand Platforms, Editorial Strategies and Logics of
Production: The Case of Netflix France
Christel Taillibert and Bruno Cailler
8. The Strategy of "Quality TV": Branding, Creating and Producing at Canal+
Hélène Monnet-Cantagrel
9. What is a Quality French Series? Reflections on The Bureau
François Jost
Part IV: Italy
10. Towards a New Model for Italian TV Fiction: Sky Italia Originals and
the Struggle for Difference
Luca Barra and Massimo Scaglioni
11. The Holy See(ing): Splendors and Miseries of The Young Pope
Giancarlo Lombardi
Part V: Germany
12. TV Drama Series Production in Germany and the Digital Television
Landscape
Lothar Mikos
13. Selling Location, Selling History: New German Series and Changing
Market Logic
Susanne Eichner
Part VI: Spain
14. Ways of Production and Distribution as Movistar+
Juan Francisco Gutiérrez Lozano
15. Bambú Producciones and the Transformation of Spanish Television Fiction
Production
Concepción Cascajosa-Virino
Part VII: Central and Eastern Europe
16. HBO Europe's Original Programming in the Era of Streaming Wars
Petr Szczepanik
17. Quality by Design: Feature TV Series from Premium Television in Poland
Artur Majer
18. Familiar, Much Too Familiar... HBO's Hungarian Original Productions and
the Questions of Cultural Proximity
Balasz Varga