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NEW YORK TIMES BESTSELLER - Karin Slaughter, author of the bestselling Will Trent novels, is widely acclaimed as "one of the best crime novelists in America" (The Washington Post). Now she delivers her first stand-alone novel: an epic story of a city in the midst of seismic upheaval, a serial killer targeting cops, and a divided police force tasked with bringing a madman to justice. Atlanta, 1974. It's Kate Murphy's first day on the job, and the Atlanta Police Department is seething after the murder of an officer. Before the day has barely begun, she already suspects she's not cut out to be a cop. Her male uniform is too big, she can't handle a gun, and she's rapidly learning that the APD is hardly a place that welcomes women. Worse still, in the ensuing manhunt, she'll be partnered with Maggie Lawson, a cop with her own ax to grind (and a brother and uncle already on the force)--a strategy meant to isolate Kate and Maggie from the action. But the move will backfire, putting them right at the heart of it. Cop Town is an incredibly atmospheric nail-biter from the author the Huffington Post called an "exemplary storyteller" and "one of the great talents of the twenty-first century."
Karin Slaughter is one of the world's most popular and acclaimed storytellers. Published in 120 countries with more than 35 million copies sold across the globe, her eighteen novels include the Grant County and Will Trent books, as well as the Edgar-nominated Cop Town and the instant New York Times bestselling novels Pretty Girls, The Good Daughter, and Pieces of Her. Slaughter is the founder of the Save the Libraries project--a nonprofit organization established to support libraries and library programming. A native of Georgia, she lives in Atlanta.
©Alison Rosa
Karin Slaughter is simply one of the best thriller writers working today, and Cop Town shows the author at the top of her game - relentless pacing, complex characters, and gritty realism, all set against the backdrop of a city on the edge. Slaughter's eye for detail and truth is unmatched . . . I'd follow her anywhere.