The Cinema of Poetry emphasizes the vibrant world of European cinema in addition to incorporating the author's long abiding concerns on American avant-garde cinema.
The Cinema of Poetry emphasizes the vibrant world of European cinema in addition to incorporating the author's long abiding concerns on American avant-garde cinema.
P. Adams Sitney is Professor of Visual Arts in the Lewis Center for the Arts at Princeton University.
Inhaltsangabe
Preface Introduction: An Autobiography of Enthusiasms I Pier Paolo Pasolini and "The Cinema of 'Poetry'" Dimitri Kirsanoff's Ménilmontant Ingmar Bergman's Primal Scene Andrey Tarkovsky's Concept of Poetry II Poetry and the American Avant-garde Cinema The Dialectict of Experience in Joseph Cornell's Films Lawrence Jordan's Magical Instructions Stan Brakhage's Poetics Nathaniel Dorsky, Jerome Hiler, and the Polyvalent Film Gregory J. Markopoulos and the Temenos
Preface Introduction: An Autobiography of Enthusiasms I Pier Paolo Pasolini and "The Cinema of 'Poetry'" Dimitri Kirsanoff's Ménilmontant Ingmar Bergman's Primal Scene Andrey Tarkovsky's Concept of Poetry II Poetry and the American Avant-garde Cinema The Dialectict of Experience in Joseph Cornell's Films Lawrence Jordan's Magical Instructions Stan Brakhage's Poetics Nathaniel Dorsky, Jerome Hiler, and the Polyvalent Film Gregory J. Markopoulos and the Temenos
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