Projections of Memory argues that the long-form modernist art film of the twentieth century is more or less the direct conceptual descendant of the eighteenth-century Romantic traditions that originated in literature, painting, and architecture.
Projections of Memory argues that the long-form modernist art film of the twentieth century is more or less the direct conceptual descendant of the eighteenth-century Romantic traditions that originated in literature, painting, and architecture.
Richard I. Suchenski is Associate Professor of Film and Electronic Arts and Director of the Center for Moving Image Arts at Bard College. Suchenski has a joint Ph.D. in History of Art and Film Studies from Yale University, and is a film curator. He is the editor of Hou Hsiao-hsien.
Inhaltsangabe
* Introduction * Chapter 1: "The Era of the Image Has Arrived" * Chapter 2: Towards the Temenos - Gregory Markopoulos' Eniaios * Chapter 3: "We Are No Longer Innocent" - The Long Form Aesthetic of Jacques Rivette * Chapter 4: The Sense of an Ending - Jean-Luc Godard's Histoire(s) du cinéma * Conclusion
* Introduction * Chapter 1: "The Era of the Image Has Arrived" * Chapter 2: Towards the Temenos - Gregory Markopoulos' Eniaios * Chapter 3: "We Are No Longer Innocent" - The Long Form Aesthetic of Jacques Rivette * Chapter 4: The Sense of an Ending - Jean-Luc Godard's Histoire(s) du cinéma * Conclusion
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
