The practice of dance and the technologies of representation has excited artists since the advent of film. This book weaves together theory from art and dance as well as appropriate historical reference material to propose a new theory of screendance, one that frames it within the discourse of post-modern art practice.
The practice of dance and the technologies of representation has excited artists since the advent of film. This book weaves together theory from art and dance as well as appropriate historical reference material to propose a new theory of screendance, one that frames it within the discourse of post-modern art practice.
Douglas Rosenberg is an artist and scholar working at the intersection of performance and media. He is internationally recognized as a pioneer in screendance both as director and as a theorist. He organized the first international symposium on screendance and is a founding editor of the International Journal of Screendance.
Inhaltsangabe
Acknowledgements Preface Introduction: Inscribing Hybridity Chapter 1: Archives and Architecture Chapter 2: Mediated Bodies: From Photography to Cine-Dance Chapter 3: Recorporealization and the Mediated Body Chapter 4: The Advent of Video Culture Chapter 5: The Bride is Dance Chapter 6: Excavating Genres Chapter 7: Curating the Practice Chapter 8: Seeing is Forgetting the Name of the Thing One Sees, or Connoisseurship in Screendance Chapter 9: Toward a Theory of Screendance Chapter 10: Negotiating the Academy Index
Acknowledgements Preface Introduction: Inscribing Hybridity Chapter 1: Archives and Architecture Chapter 2: Mediated Bodies: From Photography to Cine-Dance Chapter 3: Recorporealization and the Mediated Body Chapter 4: The Advent of Video Culture Chapter 5: The Bride is Dance Chapter 6: Excavating Genres Chapter 7: Curating the Practice Chapter 8: Seeing is Forgetting the Name of the Thing One Sees, or Connoisseurship in Screendance Chapter 9: Toward a Theory of Screendance Chapter 10: Negotiating the Academy Index
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