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Watching Weimar Dance historicizes and theorizes the spectatorship of dances in and from interwar Germany - at home, on tour, and later returning from exile - developing a culturally-situated model of watching that not only offers a revisionist historical narrative, but also demonstrates new methods for dance scholarship to shape cultural history.

Produktbeschreibung
Watching Weimar Dance historicizes and theorizes the spectatorship of dances in and from interwar Germany - at home, on tour, and later returning from exile - developing a culturally-situated model of watching that not only offers a revisionist historical narrative, but also demonstrates new methods for dance scholarship to shape cultural history.
Autorenporträt
Kate Elswit is Reader in Theatre and Performance at the Royal Central School of Speech and Drama, University of London. She is winner of the Oscar G. Brockett Book Prize for Dance Research, the Gertrude Lippincott Award, the Biennial Sally Banes Publication Prize, and honorable mention for the Callaway Prize, and her work has been funded by sources including a Mellon postdoctoral fellowship at Stanford University and the Lilian Karina Research Grant in Dance and Politics. She also works as a choregrapher, dramaturg, and curator.