Richard Badenhausen is Professor and Kim T. Adamson Chair at Westminster College in Utah and directs the Honors Program there.
Inhaltsangabe
Introduction: reaching the stillness of music 1. 'Speaking as ourselves': authorship, impersonality, and the creative process in the early essays 2. A conversation about 'the longest poem in the English langwidge': Pound, Eliot, and The Waste Land 3. 'Helping the poets write for the theatre': the transitional essays on collaboration, community, and drama 4. A dramatist and his midwives: Eliot's collaborations in the theater 5. The possum and the 'creating critick': Eliot's collaboration with John Hayward Conclusion: placing collaboration in perspective: voice and influence in the late essays Notes Index.
Introduction: reaching the stillness of music; 1. 'Speaking as ourselves': authorship, impersonality, and the creative process in the early essays; 2. A conversation about 'the longest poem in the English langwidge': Pound, Eliot, and The Waste Land; 3. 'Helping the poets write for the theatre': the transitional essays on collaboration, community, and drama; 4. A dramatist and his midwives: Eliot's collaborations in the theater; 5. The possum and the 'creating critick': Eliot's collaboration with John Hayward; Conclusion: placing collaboration in perspective: voice and influence in the late essays; Notes; Index.
Introduction: reaching the stillness of music 1. 'Speaking as ourselves': authorship, impersonality, and the creative process in the early essays 2. A conversation about 'the longest poem in the English langwidge': Pound, Eliot, and The Waste Land 3. 'Helping the poets write for the theatre': the transitional essays on collaboration, community, and drama 4. A dramatist and his midwives: Eliot's collaborations in the theater 5. The possum and the 'creating critick': Eliot's collaboration with John Hayward Conclusion: placing collaboration in perspective: voice and influence in the late essays Notes Index.
Introduction: reaching the stillness of music; 1. 'Speaking as ourselves': authorship, impersonality, and the creative process in the early essays; 2. A conversation about 'the longest poem in the English langwidge': Pound, Eliot, and The Waste Land; 3. 'Helping the poets write for the theatre': the transitional essays on collaboration, community, and drama; 4. A dramatist and his midwives: Eliot's collaborations in the theater; 5. The possum and the 'creating critick': Eliot's collaboration with John Hayward; Conclusion: placing collaboration in perspective: voice and influence in the late essays; Notes; Index.
Rezensionen
Review of the hardback: 'T. S. Eliot and the Art of Collaboration represents a lively and imortant contribution to modernist studies.' The Review of English Studies
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