- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Study of Eliot's philosophical writings, assessing their impact on his early poetry and literary criticism.
Andere Kunden interessierten sich auch für
- T. S. Eliot and the Concept of Tradition48,99 €
- John Xiros CooperT. S. Eliot and the Ideology of Four Quartets46,99 €
- Cassandra Laity / Nancy K. Gish (eds.)Gender, Desire, and Sexuality in T. S. Eliot47,99 €
- David CarrollGeorge Eliot and the Conflict of Interpretations47,99 €
- Charles Eliot NortonThe Correspondence of John Ruskin and Charles Eliot Norton57,99 €
- Robert James MerrettPresenting the Past: Philosophical Irony and the Rhetoric of Double Vision from Bishop Butler to T. S. Eliot16,99 €
- Montague Rhodes JamesThe Western Manuscripts in the Library of Trinity College, Cambridge47,99 €
-
-
-
Study of Eliot's philosophical writings, assessing their impact on his early poetry and literary criticism.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 304
- Erscheinungstermin: 1. März 2008
- Englisch
- Abmessung: 229mm x 152mm x 18mm
- Gewicht: 496g
- ISBN-13: 9780521063531
- ISBN-10: 0521063531
- Artikelnr.: 23580275
- Verlag: Cambridge University Press
- Seitenzahl: 304
- Erscheinungstermin: 1. März 2008
- Englisch
- Abmessung: 229mm x 152mm x 18mm
- Gewicht: 496g
- ISBN-13: 9780521063531
- ISBN-10: 0521063531
- Artikelnr.: 23580275
Preface; 1. (a) Henry Adams and the search for unity (b) Irving Babbitt:
the one and the many (c) George Santayana: the marriage of philosophy and
poetry (d) Laforgue, Schopenhauer and the poetry of Eliot's youth; 2.
Bergson Resartus and T. S. Eliot's manuscript (a) Analysis of Eliot's
manuscript on Bergson (b) Significance of Eliot's manuscript; 3. Philosophy
and Laughter (a) Schopenhauer, Laforgue and Bergson, (b) Eliot's Paris
poems: 'Prufrock' and 'Portrait'; 4. Irony as a Kantian meditation: Eliot's
manuscripts on Kant (a) Analysis of Eliot's three manuscripts on Kant (b)
Significance of Eliot's engagement with Kant; 5. Eliot, Bradley and the
irony of common sense (a) Bradley's Philosophical Context (b) Eliot's
doctoral dissertation (c) The objective correlative (d) Eliot's early verse
and Bradley; 6. The divorce from old barren reason: from philosophy to
aesthetics (a) Tradition and impersonality (b) The emotions of art (c)
Impersonality and the bourgeois ego; 7. The struggle against realism (a)
Realism, Romanticism and Classicism (b) Realism refined (c) Language and
reality; 8. Irony as form: 'The Waste Land' (a) Tiresias in literary
tradition (b) Tiresias in 'The Waste Land'.
the one and the many (c) George Santayana: the marriage of philosophy and
poetry (d) Laforgue, Schopenhauer and the poetry of Eliot's youth; 2.
Bergson Resartus and T. S. Eliot's manuscript (a) Analysis of Eliot's
manuscript on Bergson (b) Significance of Eliot's manuscript; 3. Philosophy
and Laughter (a) Schopenhauer, Laforgue and Bergson, (b) Eliot's Paris
poems: 'Prufrock' and 'Portrait'; 4. Irony as a Kantian meditation: Eliot's
manuscripts on Kant (a) Analysis of Eliot's three manuscripts on Kant (b)
Significance of Eliot's engagement with Kant; 5. Eliot, Bradley and the
irony of common sense (a) Bradley's Philosophical Context (b) Eliot's
doctoral dissertation (c) The objective correlative (d) Eliot's early verse
and Bradley; 6. The divorce from old barren reason: from philosophy to
aesthetics (a) Tradition and impersonality (b) The emotions of art (c)
Impersonality and the bourgeois ego; 7. The struggle against realism (a)
Realism, Romanticism and Classicism (b) Realism refined (c) Language and
reality; 8. Irony as form: 'The Waste Land' (a) Tiresias in literary
tradition (b) Tiresias in 'The Waste Land'.
Preface; 1. (a) Henry Adams and the search for unity (b) Irving Babbitt:
the one and the many (c) George Santayana: the marriage of philosophy and
poetry (d) Laforgue, Schopenhauer and the poetry of Eliot's youth; 2.
Bergson Resartus and T. S. Eliot's manuscript (a) Analysis of Eliot's
manuscript on Bergson (b) Significance of Eliot's manuscript; 3. Philosophy
and Laughter (a) Schopenhauer, Laforgue and Bergson, (b) Eliot's Paris
poems: 'Prufrock' and 'Portrait'; 4. Irony as a Kantian meditation: Eliot's
manuscripts on Kant (a) Analysis of Eliot's three manuscripts on Kant (b)
Significance of Eliot's engagement with Kant; 5. Eliot, Bradley and the
irony of common sense (a) Bradley's Philosophical Context (b) Eliot's
doctoral dissertation (c) The objective correlative (d) Eliot's early verse
and Bradley; 6. The divorce from old barren reason: from philosophy to
aesthetics (a) Tradition and impersonality (b) The emotions of art (c)
Impersonality and the bourgeois ego; 7. The struggle against realism (a)
Realism, Romanticism and Classicism (b) Realism refined (c) Language and
reality; 8. Irony as form: 'The Waste Land' (a) Tiresias in literary
tradition (b) Tiresias in 'The Waste Land'.
the one and the many (c) George Santayana: the marriage of philosophy and
poetry (d) Laforgue, Schopenhauer and the poetry of Eliot's youth; 2.
Bergson Resartus and T. S. Eliot's manuscript (a) Analysis of Eliot's
manuscript on Bergson (b) Significance of Eliot's manuscript; 3. Philosophy
and Laughter (a) Schopenhauer, Laforgue and Bergson, (b) Eliot's Paris
poems: 'Prufrock' and 'Portrait'; 4. Irony as a Kantian meditation: Eliot's
manuscripts on Kant (a) Analysis of Eliot's three manuscripts on Kant (b)
Significance of Eliot's engagement with Kant; 5. Eliot, Bradley and the
irony of common sense (a) Bradley's Philosophical Context (b) Eliot's
doctoral dissertation (c) The objective correlative (d) Eliot's early verse
and Bradley; 6. The divorce from old barren reason: from philosophy to
aesthetics (a) Tradition and impersonality (b) The emotions of art (c)
Impersonality and the bourgeois ego; 7. The struggle against realism (a)
Realism, Romanticism and Classicism (b) Realism refined (c) Language and
reality; 8. Irony as form: 'The Waste Land' (a) Tiresias in literary
tradition (b) Tiresias in 'The Waste Land'.