In Stolen Lifeâ the second volume in his landmark trilogy consent not to be a single beingâ Fred Moten engages with the work of thinkers ranging from Kant to Saidiya Hartman, undertaking an expansive exploration of blackness as it relates to black life and the collective refusal of social death.
In Stolen Lifeâ the second volume in his landmark trilogy consent not to be a single beingâ Fred Moten engages with the work of thinkers ranging from Kant to Saidiya Hartman, undertaking an expansive exploration of blackness as it relates to black life and the collective refusal of social death.
Fred Moten is Professor of Performance Studies at New York University and the author of Black and Blur and The Universal Machine, both also published by Duke University Press, and In the Break: The Aesthetics of the Black Radical Tradition.
Inhaltsangabe
Acknowledgments vii Preface ix 1. Knowledge of Freedom 1 2. Gestural Critique of Judgment 96 3. Uplift and Criminality 115 4. The New International of Decent Feelings 140 5. Rilya Wilson, Precious Doe, Buried Angel 152 6. Black Op 155 7. The Touring Machine (Flesh Thought Inside Out) 161 8. Seeing Things 183 9. Air Shaft, Rent Party 188 10. Notes on Passage 191 11. Here, There, and Everywhere 213 12. Anassignment Letters 227 13. The Animaternalizing Call 237 14. Erotics of Fugitivity 241 Notes 269 Works Cited 297 Index 309
Acknowledgments vii Preface ix 1. Knowledge of Freedom 1 2. Gestural Critique of Judgment 96 3. Uplift and Criminality 115 4. The New International of Decent Feelings 140 5. Rilya Wilson, Precious Doe, Buried Angel 152 6. Black Op 155 7. The Touring Machine (Flesh Thought Inside Out) 161 8. Seeing Things 183 9. Air Shaft, Rent Party 188 10. Notes on Passage 191 11. Here, There, and Everywhere 213 12. Anassignment Letters 227 13. The Animaternalizing Call 237 14. Erotics of Fugitivity 241 Notes 269 Works Cited 297 Index 309
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