In the concluding volume to his landmark trilogy consent not to be a single being Fred Moten uses the work of Emmanuel Levinas, Hannah Arendt, and Franz Fanon to explore the relationship between blackness and phenomenology, theorizing blackness as a way of being in the world that evades regulation.
In the concluding volume to his landmark trilogy consent not to be a single being Fred Moten uses the work of Emmanuel Levinas, Hannah Arendt, and Franz Fanon to explore the relationship between blackness and phenomenology, theorizing blackness as a way of being in the world that evades regulation.
Fred Moten is Professor of Performance Studies at New York University and the author of Black and Blur and Stolen Life, both also published by Duke University Press, and In the Break: The Aesthetics of the Black Radical Tradition.
Inhaltsangabe
Acknowledgments vii Preface ix 1. There Is No Racism Intended 1 2. Refuge, Refuse, Refrain 65 3. Chromatic Saturation 140 Notes 247 Works Cited 271 Index 281
Acknowledgments vii Preface ix 1. There Is No Racism Intended 1 2. Refuge, Refuse, Refrain 65 3. Chromatic Saturation 140 Notes 247 Works Cited 271 Index 281
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