Seamus Heaney and the Classics
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The death in 2013 of Seamus Heaney is an appropriate point to honour the great Irish poet's major contribution to classical reception in modern poetry. This is the first volume to be wholly dedicated to this perspective on Heaney's work, focusing primarily on his fascination with Greek drama and myth and his interest in Latin poetry.

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Produktbeschreibung
The death in 2013 of Seamus Heaney is an appropriate point to honour the great Irish poet's major contribution to classical reception in modern poetry. This is the first volume to be wholly dedicated to this perspective on Heaney's work, focusing primarily on his fascination with Greek drama and myth and his interest in Latin poetry.
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Autorenporträt
Stephen Harrison is Professor of Latin Literature at the University of Oxford, Fellow and Tutor in Classics at Corpus Christi College, Oxford, and Adjunct Professor at the universities of Copenhagen and Trondheim. He has published extensively on Latin literature and its reception, including the following volumes: A Commentary on Vergil, Aeneid 10 (OUP, 1991), Generic Enrichment in Vergil and Horace (OUP, 2007), Living Classics: Greece and Rome in Contemporary Poetry in English (edited volume; OUP, 2009), Louis MacNeice: The Classical Radio Plays (co-edited with Amanda Wrigley; OUP, 2013), and Classics in the Modern World: A Democratic Turn? (co-edited with Lorna Hardwick; OUP, 2013). Fiona Macintosh is Professor of Classical Reception, Director of the Archive of Performances of Greek and Roman Drama (APGRD), and Fellow of St Hilda's College at the University of Oxford. She is the author of Dying Acts: Death in Ancient Greek and Modern Irish Tragic Drama (Cork University Press, 1994), Greek Tragedy and the British Theatre, 1660-1914 (with Edith Hall; OUP, 2005), and Sophocles: Oedipus Tyrannus (CUP, 2009), and has also edited numerous APGRD volumes, including most recently Epic Performances from the Middle Ages into the Twenty-First Century (with Justine McConnell, Stephen Harrison, and Claire Kenward; OUP, 2018) and The Oxford Handbook of Greek Drama in the Americas (with Kathryn Bosher, Justine McConnell, and Patrice Rankine; OUP, 2015). Helen Eastman trained as a director at LAMDA after graduating from the University of Oxford, where she was the Passmore Edwards Scholar in Classics and English. She is currently an Artistic Associate at the Archive of Performances of Greek and Roman Drama (APGRD) at the University of Oxford, Visiting Lecturer in Contemporary Performance Practice at Westminster University, Artistic Director of Live Canon, and Senior Reader at Soho Theatre. As a freelance director of theatre and opera (and also occasionally of circus), she has worked throughout the UK at venues including Trafalgar Studios, Hackney Empire, Belfast Opera House, Glasgow Citizens Theatre, Queens Theatre, BAC, The National Theatre Studio, The De La Warr Pavilion, and Bath Theatre Royal.