This volume presents fifteen chapters focusing on different aspects of the work of Tony Harrison, showing how his adaptations and translations explored themes of language, class, access to art, and the causes and effects of war.
This volume presents fifteen chapters focusing on different aspects of the work of Tony Harrison, showing how his adaptations and translations explored themes of language, class, access to art, and the causes and effects of war.
Sandie Byrne is Associate Professor in English, University of Oxford and a Fellow of Kellogg College, Oxford. She is the author of a number of books and articles on twentieth- and twenty-first-century literature.
Inhaltsangabe
* 1: Sandie Byrne: Introduction * 2: Edith Hall: Tony Harrison as Founder of Classical Reception Studies * 3: Stephen Harrison: Tony Harrison and Rome * 4: Hallie Marshall: Ruins and Fragments: The Impact of Material Culture on the Works of Tony Harrison * 5: Lorna Hardwick: recusatio from Both Directions: Tony Harrison s Gazes * 6: Lottie Parkyn: The Originality and Influence of Tony Harrison s The Trackers of Oxyrhynchus * 7: Geraldine Brodie: Harrison s Hecubas: Translating and Performing International Activism * 8: Helen Eastman: Illuminated by the light of the sun : Stagecraft, the Politics of Performance Conditions, and the Formation of Northern Broadsides * 9: Romana Huk: Lyres, Liars, Repetition, and Prophecy: Visiting the Future through the Past in Tony Harrison s Poetry * 10: Henry Stead: Fire, Fennel, and the Future of Socialism: Tony Harrison s prometheus * 11: Sandie Byrne: Greek Fire: Harrison s Appropriation of Some Elements from Myth * 12: Caroline Latham: The Sound of the Oresteia * 13: Paul Bentley: Political Catharsisa The Example of Harrison * 14: Owen Hodkinson: Insights from the Tony Harrison Archive * 15: Oliver Taplin: Bardcards: Tracking Tony Harrison in 1987-8
* 1: Sandie Byrne: Introduction * 2: Edith Hall: Tony Harrison as Founder of Classical Reception Studies * 3: Stephen Harrison: Tony Harrison and Rome * 4: Hallie Marshall: Ruins and Fragments: The Impact of Material Culture on the Works of Tony Harrison * 5: Lorna Hardwick: recusatio from Both Directions: Tony Harrison s Gazes * 6: Lottie Parkyn: The Originality and Influence of Tony Harrison s The Trackers of Oxyrhynchus * 7: Geraldine Brodie: Harrison s Hecubas: Translating and Performing International Activism * 8: Helen Eastman: Illuminated by the light of the sun : Stagecraft, the Politics of Performance Conditions, and the Formation of Northern Broadsides * 9: Romana Huk: Lyres, Liars, Repetition, and Prophecy: Visiting the Future through the Past in Tony Harrison s Poetry * 10: Henry Stead: Fire, Fennel, and the Future of Socialism: Tony Harrison s prometheus * 11: Sandie Byrne: Greek Fire: Harrison s Appropriation of Some Elements from Myth * 12: Caroline Latham: The Sound of the Oresteia * 13: Paul Bentley: Political Catharsisa The Example of Harrison * 14: Owen Hodkinson: Insights from the Tony Harrison Archive * 15: Oliver Taplin: Bardcards: Tracking Tony Harrison in 1987-8
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