Having exploded on the margins of Europe, Chornobyl marked the end of the Soviet Union and tied the era of postmodernism in Western Europe with nuclear consciousness. The Post-Chornobyl Library becomes a metaphor of a new Ukrainian literature of the 1990s, which emerges out of the Chornobyl nuclear trauma.
Having exploded on the margins of Europe, Chornobyl marked the end of the Soviet Union and tied the era of postmodernism in Western Europe with nuclear consciousness. The Post-Chornobyl Library becomes a metaphor of a new Ukrainian literature of the 1990s, which emerges out of the Chornobyl nuclear trauma.
Dr. Tamara Hundorova is Chair of the Department of Literary Theory and Comparative Literature at the Institute of Literature, National Academy of Sciences of Ukraine and Associate of Harvard Ukrainian Research Institute. She is the author of ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿. ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ (2013) [Transit Culture: Symptoms of Postcolonial Trauma], ¿¿¿ ¿ ¿¿¿¿¿¿¿¿¿¿. ¿¿¿¿¿¿¿¿¿ (2008) [Kitsch and Literature: Travesties], ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿. ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ (1997; 2009) [The Emerging Word: The Discourse of Early Ukrainian Modernism], Femina melancholica. ¿¿¿¿¿ ¿ ¿¿¿¿¿¿¿¿ ¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿ (2002) [Femina melancholica. Sex and Culture in the Gender Utopia of Olha Kobylianska], ¿¿¿¿¿¿ ¿ ¿¿ ¿¿¿¿¿¿¿ (2006) [Franko Not the Stonecutter] and numerous articles on Ukrainian literature, modernism, postmodernism, gender studies, postcolonial trauma and kitsch. She taught at Toronto University, Harvard Summer School, Greifswald Ukrainicum, Ukrainian Free University, Kyiv-Mohyla Academy and Kyiv National University. She was awarded a Fulbright Fellowship, a Petro Jacyk Distinguished Fellowship (Harvard University), a visiting professorship at the Slavic-Eurasian Research Center (Hokkaido University) and the MUNK School of Global Affairs (Toronto University), and a fellowship at Monash University (Australia).
Inhaltsangabe
Table of Contents Preface 1. Nuclear Discourse, or Literature after Chornobyl 2. Nuclear Apocalypse and Postmodernism 3. The Socialist Realist Chornobyl Discourse 4. Nuclear (Non)-Representation 5. Chornobyl and Virtuality 6. Chornobyl and the Cultural Archive 7. Chornobyl Postmodern Topography 8. Chornobyl and the Crisis of Language 9. Postmodernism: The Synchronization of History 10. Ukrainian Postmodernism: The Historical Framework 11. A Farewell to the Classic 12. The Ex-Centricity of the Great Character 13. Postmodernism and the Cultural Organic 14. Postmodernism as Ironic Behavior 15. Bu-Ba-Bu: A New Literary Formation 16. The Carnivalesque Postmodern 17. Yuri Andrukhovych s Carnival: A History of Self-Destruction 18. After the Carnival: Bu-Ba-Bu Postmortem 19. Narrative Apocalypse: Taras Prokhasko s Topographic Writing 20. The Virtual Apocalypse: The Post-Verbal Writing of Yurko Izdryk 21. The Grotesques of the Kyiv Underground: DibroväZholdak Poderviansky 22. Feminist Postmodernism: Oksana Zabuzhko 23. Postmodern Europe: Revision, Nostalgia, and Revenge 24. The Chornobyl Apocalypse of Yevhen Pashkovsky 25. The Postmodern Homelessness of Serhiy Zhadan 26. Volodymyr Tsybulko s Pop-Postmodernism 27. The (De)KONstructed Postmodernism of Yuriy Tarnawsky 28. PS. A Comment from the End of Postmodernism 29. Types of Postmodernism
Table of Contents Preface 1. Nuclear Discourse, or Literature after Chornobyl 2. Nuclear Apocalypse and Postmodernism 3. The Socialist Realist Chornobyl Discourse 4. Nuclear (Non)-Representation 5. Chornobyl and Virtuality 6. Chornobyl and the Cultural Archive 7. Chornobyl Postmodern Topography 8. Chornobyl and the Crisis of Language 9. Postmodernism: The Synchronization of History 10. Ukrainian Postmodernism: The Historical Framework 11. A Farewell to the Classic 12. The Ex-Centricity of the Great Character 13. Postmodernism and the Cultural Organic 14. Postmodernism as Ironic Behavior 15. Bu-Ba-Bu: A New Literary Formation 16. The Carnivalesque Postmodern 17. Yuri Andrukhovych s Carnival: A History of Self-Destruction 18. After the Carnival: Bu-Ba-Bu Postmortem 19. Narrative Apocalypse: Taras Prokhasko s Topographic Writing 20. The Virtual Apocalypse: The Post-Verbal Writing of Yurko Izdryk 21. The Grotesques of the Kyiv Underground: DibroväZholdak Poderviansky 22. Feminist Postmodernism: Oksana Zabuzhko 23. Postmodern Europe: Revision, Nostalgia, and Revenge 24. The Chornobyl Apocalypse of Yevhen Pashkovsky 25. The Postmodern Homelessness of Serhiy Zhadan 26. Volodymyr Tsybulko s Pop-Postmodernism 27. The (De)KONstructed Postmodernism of Yuriy Tarnawsky 28. PS. A Comment from the End of Postmodernism 29. Types of Postmodernism
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