A detailed philosophical study of the theoretical work of Guy Debord and the Situationist International that helps to uncover a philosophy of praxis that remains useful today.
A detailed philosophical study of the theoretical work of Guy Debord and the Situationist International that helps to uncover a philosophy of praxis that remains useful today.
Tom Bunyard, Ph.D. (2012), Goldsmiths, is a Senior Lecturer in the Humanities Programme at the University of Brighton. He has published several articles on the relationship between Debord, Hegel and Marx, and works on critical theory and philosophy of history.
Inhaltsangabe
Acknowledgements List of Illustrations Introduction: Radioactivity Subjectivity, Temporality and Spectacle 1 Interpreting the Theory of Spectacle 2 Five Aspects of Debord’s Theoretical Work The New Beauty: 1951–62 3 ‘We are Artists Insofar as We are No Longer Artists’ 4 The Everyday and the Absolute 5 ‘Avant-Gardes Have Only One Time’ ‘Everything that had Formerly been Absolute Became Historical’ 6 Debord and French Hegelianism 7 Subjects and Objects: Debord, Lukács and the Young Marx 8 Life and Non-life In Pursuit of the Northwest Passage: 1963–73 9 Never Work! 10 ‘I am Nothing and I Should be Everything’ 11 The ‘Fetishism of Capital’ The Integrated Spectacle: 1974–94 12 Moving with History’s ‘Bad Side’ 13 Strategy and Tactics in the Integrated Spectacle 14 The Knight, Death and the Devil Bibliography Index
Acknowledgements List of Illustrations Introduction: Radioactivity Subjectivity, Temporality and Spectacle 1 Interpreting the Theory of Spectacle 2 Five Aspects of Debord’s Theoretical Work The New Beauty: 1951–62 3 ‘We are Artists Insofar as We are No Longer Artists’ 4 The Everyday and the Absolute 5 ‘Avant-Gardes Have Only One Time’ ‘Everything that had Formerly been Absolute Became Historical’ 6 Debord and French Hegelianism 7 Subjects and Objects: Debord, Lukács and the Young Marx 8 Life and Non-life In Pursuit of the Northwest Passage: 1963–73 9 Never Work! 10 ‘I am Nothing and I Should be Everything’ 11 The ‘Fetishism of Capital’ The Integrated Spectacle: 1974–94 12 Moving with History’s ‘Bad Side’ 13 Strategy and Tactics in the Integrated Spectacle 14 The Knight, Death and the Devil Bibliography Index
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