Examining a diverse body of art by over twenty-five artists including photography, sculpture, graffiti, performance, video and installation, in galleries, online and in the street, this book reveals a new way of understanding the Arab Uprisings, their profound cultural impact, and of the meaning of the term 'revolution' itself.
Examining a diverse body of art by over twenty-five artists including photography, sculpture, graffiti, performance, video and installation, in galleries, online and in the street, this book reveals a new way of understanding the Arab Uprisings, their profound cultural impact, and of the meaning of the term 'revolution' itself.
Siobhán Shilton is Reader in French Studies and the Visual Arts at the University of Bristol. She has published books and articles on art and the 'Arab Uprisings', cultural encounters in photography, video, graffiti, graphic novels, installation and performance art, and twentieth-century travel literature in French, including Transcultural Encounters: Gender and Genre in Franco-Maghrebi Art (2013). Her research has been supported by grant awards from the AHRC.
Inhaltsangabe
Introduction. Exceeding Icons of Revolution in North Africa and the Eastern Mediterranean 1. Aesthetics of Revolution and Infra-thin Critique 2. Contingency and Resistance: Exceeding Icons through Matter and Motion 3. Contingent Encounters: Artists, Artisans and Amateurs 4. Corporeal Resistance and Aesthetics of the Interface Conclusion. Art and Revolution: Aesthetics and Approaches.
Introduction. Exceeding Icons of Revolution in North Africa and the Eastern Mediterranean 1. Aesthetics of Revolution and Infra-thin Critique 2. Contingency and Resistance: Exceeding Icons through Matter and Motion 3. Contingent Encounters: Artists, Artisans and Amateurs 4. Corporeal Resistance and Aesthetics of the Interface Conclusion. Art and Revolution: Aesthetics and Approaches.
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