This book explores the visual dimensions of metal music from the specific socio-historic, geographic, and political positionality of Latin America and the Caribbean.
This book explores the visual dimensions of metal music from the specific socio-historic, geographic, and political positionality of Latin America and the Caribbean.
Table of Contents Introduction A Synesthetic Experience Pablo Trangone Singer - Arraigo (Argentina) PART ONE: SEEING Chapter 1 Seeing Metal Music: Notes Regarding an Ontological Act PART TWO: REVEALING Chapter 2 Documentary Film and Metal Music Elsewhere Chapter 3 Caribbean Metal and Colonial Truth-Telling Chapter 4 Metal Shirts in Latin America and the Caribbean: Frayed, Faded, Weathered, Alive PART THREE: INVERTING Chapter 5 Metal Music / Indigenous Bodies Chapter 6 ¡Al Machete!: Images of Resistance in Caribbean Metal Music Chapter 7: Humor and the Disruptive Hybridization of Visual Conventions in Our Metal Music PART FOUR: APPEARING Chapter 8 Metal Activism in Latin America and the Caribbean Chapter 9 An Invitation to an Ethics of Affront Bibliography About the Authors
Table of Contents Introduction A Synesthetic Experience Pablo Trangone Singer - Arraigo (Argentina) PART ONE: SEEING Chapter 1 Seeing Metal Music: Notes Regarding an Ontological Act PART TWO: REVEALING Chapter 2 Documentary Film and Metal Music Elsewhere Chapter 3 Caribbean Metal and Colonial Truth-Telling Chapter 4 Metal Shirts in Latin America and the Caribbean: Frayed, Faded, Weathered, Alive PART THREE: INVERTING Chapter 5 Metal Music / Indigenous Bodies Chapter 6 ¡Al Machete!: Images of Resistance in Caribbean Metal Music Chapter 7: Humor and the Disruptive Hybridization of Visual Conventions in Our Metal Music PART FOUR: APPEARING Chapter 8 Metal Activism in Latin America and the Caribbean Chapter 9 An Invitation to an Ethics of Affront Bibliography About the Authors
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