1. Introduction.- Part I Historical Perspectives.- 2. Naturshchiki, Types and Non-actors: Nonprofessional Performance in Early Soviet Cinema.- 3. Italian Neorealism and the Nonprofessional Protagonist.- 4. The Corruption of Nonprofessional Performance in Pasolini's Cinema.- Part II Contemporary Approaches.- 5. Misael Saavedra in La libertad: The Work of Gestures.- 6. Lluis Serrat and Lluis Carbó in Honor de Cavalleria: Nonprofessional Performance and the Quixotic.- 7. Honor Swinton Byrne in The Souvenir: Self-Consciousness and Privilege.- 8. Conclusion.
1. Introduction.- Part I Historical Perspectives.- 2. Naturshchiki, Types and Non-actors: Nonprofessional Performance in Early Soviet Cinema.- 3. Italian Neorealism and the Nonprofessional Protagonist.- 4. The Corruption of Nonprofessional Performance in Pasolini's Cinema.- Part II Contemporary Approaches.- 5. Misael Saavedra in La libertad: The Work of Gestures.- 6. Lluis Serrat and Lluis Carbó in Honor de Cavalleria: Nonprofessional Performance and the Quixotic.- 7. Honor Swinton Byrne in The Souvenir: Self-Consciousness and Privilege.- 8. Conclusion.
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