This book tells a new story about patterns of public and private grantmaking from the 1950s to the 1970s, a period during which the United States witnessed a remarkable expansion in arts patronage. Through archival documents, oral history, and ethnographic material, author Michael Sy Uy offers an in-depth analysis of grant-making practices, and highlights important and instructive issues concerning philanthropy, arts patronage, and musical production and consumption.
This book tells a new story about patterns of public and private grantmaking from the 1950s to the 1970s, a period during which the United States witnessed a remarkable expansion in arts patronage. Through archival documents, oral history, and ethnographic material, author Michael Sy Uy offers an in-depth analysis of grant-making practices, and highlights important and instructive issues concerning philanthropy, arts patronage, and musical production and consumption.
Michael Sy Uy is the Allston Burr Resident Dean of Dunster House, Assistant Dean of Harvard College, and a Lecturer in the Harvard University Department of Music. His main areas of scholarly research focus on philanthropy, arts education, cultural policy, and connoisseurship. In 2018, he was awarded the Distinguished Faculty Award by the Harvard Foundation.
Inhaltsangabe
* Introduction * Part I: Who Were the Experts? * Chapter 1: Defining Excellence, Quality, and Style: Consultants as Contributory Experts * Chapter 2: Gatekeeping from Within: Grantmaking Officers as Interactional Experts * Chapter 3: Pluralism and Public-Private Relationships in the Field of Cultural Production * Part II: Experts in Action * Chapter 4: The Rockefeller Foundation, the University New Music Center, and "Foundation Music" * Chapter 5: The Ford Foundation, Matching Grants, and Endowment Building * Chapter 6: The National Endowment for the Arts, the United States Bicentennial, and the Expansion Arts and Jazz-Folk-Ethnic Programs * Epilogue * Appendix * Bibliography
* Introduction * Part I: Who Were the Experts? * Chapter 1: Defining Excellence, Quality, and Style: Consultants as Contributory Experts * Chapter 2: Gatekeeping from Within: Grantmaking Officers as Interactional Experts * Chapter 3: Pluralism and Public-Private Relationships in the Field of Cultural Production * Part II: Experts in Action * Chapter 4: The Rockefeller Foundation, the University New Music Center, and "Foundation Music" * Chapter 5: The Ford Foundation, Matching Grants, and Endowment Building * Chapter 6: The National Endowment for the Arts, the United States Bicentennial, and the Expansion Arts and Jazz-Folk-Ethnic Programs * Epilogue * Appendix * Bibliography
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