This book comprehensively looks at the oeuvre of a major Irish woman poet, Medbh McGuckian. It positions her oeuvre as political, historical poetry crafted through the poetics of silence: a defamiliarized English, a reliance on the image, and the deployment of multiple forms of intertextuality.
This book comprehensively looks at the oeuvre of a major Irish woman poet, Medbh McGuckian. It positions her oeuvre as political, historical poetry crafted through the poetics of silence: a defamiliarized English, a reliance on the image, and the deployment of multiple forms of intertextuality.
Maureen E. Ruprecht Fadem is associate professor of English at the City University of New York, Kingsborough.
Inhaltsangabe
Foreword: Reckoning With (Women's) Silence(s): The Work of Poetry Chapter 1: Home Is Where the Border Is: The Poetry of Medbh McGuckian Introduction, Part I: Poetics of Silence: Language, Image, Voice Chapter 2: Silence Speaking: The Secret-Spoken Language of Partition Chapter 3: Text Image: Ut pictura poïesis Chapter 4: Textuality Intertextuality: Embedded Contingencies and the Tyranny of (Postcolonial) Comparativity Introduction, Part II: Economies of Speaking: Production, Consumption, Conjuring Chapter 5: Poïesis Poïema: "Deep in your snow": Coming to Be Located Chapter 6: Privated Worlded: "Absolutely not hermetic": Iterations of Silence and the Borders of Articulacy Afterword: History Prosody: The Poet as Conjure Artist
Foreword: Reckoning With (Women's) Silence(s): The Work of Poetry Chapter 1: Home Is Where the Border Is: The Poetry of Medbh McGuckian Introduction, Part I: Poetics of Silence: Language, Image, Voice Chapter 2: Silence Speaking: The Secret-Spoken Language of Partition Chapter 3: Text Image: Ut pictura poïesis Chapter 4: Textuality Intertextuality: Embedded Contingencies and the Tyranny of (Postcolonial) Comparativity Introduction, Part II: Economies of Speaking: Production, Consumption, Conjuring Chapter 5: Poïesis Poïema: "Deep in your snow": Coming to Be Located Chapter 6: Privated Worlded: "Absolutely not hermetic": Iterations of Silence and the Borders of Articulacy Afterword: History Prosody: The Poet as Conjure Artist
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