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This bookis a comprehensive study of Chinese figures and motifs in medieval Japanese noh theater. It explores the images of China and their implications constructed in the so-called "karagoto-mono"(Chinese plays) that reflect the artistic preferences, as well as the cultural and sociopolitical sentiments towards China held by Muromachi noh artists and audiences.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.