This book examines the ceramic and metal vessels in terms of the information offered on the foods eaten, the foods desired and their status; the spectacle of the banquet; the relationship between word and image in medieval Byzantium.
This book examines the ceramic and metal vessels in terms of the information offered on the foods eaten, the foods desired and their status; the spectacle of the banquet; the relationship between word and image in medieval Byzantium.
Lara Frentrop completed her PhD at The Courtauld Institute of Art, London, and has since held lecturing and research roles at The Courtauld Institute and Heidelberg University, Germany. Her research explores how the interactive experience - from physical to rhetorical - of the material culture and architecture of medieval Byzantium created meaning and identity. Her work focuses on themes including communication and relationships, both human and divine; rhetoric; performativity; sin and salvation; and body and space.
Inhaltsangabe
Introduction 1.A Taste for Novelty 2. The Theatre of Dining: Splendour and Performance 3. Word Image and Intellect: Rhetoric and Display at Table 4. Bad Taste 5. Manly Men Heroic Hunters 6. The Display of Triumph or: How A Plate Can Make You Powerful. Conclusion.
Introduction 1.A Taste for Novelty 2. The Theatre of Dining: Splendour and Performance 3. Word Image and Intellect: Rhetoric and Display at Table 4. Bad Taste 5. Manly Men Heroic Hunters 6. The Display of Triumph or: How A Plate Can Make You Powerful. Conclusion.
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