Involuntary Motion contributes to the study of refugee flight by using movement as a lens to explore problems in refugee performance and understand the experience of bodies in motion. It will be of great interest to students and scholars of performance, dance and politics.
Involuntary Motion contributes to the study of refugee flight by using movement as a lens to explore problems in refugee performance and understand the experience of bodies in motion. It will be of great interest to students and scholars of performance, dance and politics.
Jeff Kaplan is Assistant Professor of Dance & Theatre at Manhattanville College, USA.
Inhaltsangabe
Introduction 1. Movement Initiation Dance and Refugee Performance 2. Space, Time, and Energy Revisiting Arendt: Spaces of Disappearance 3. Trace Forms The Non Hero's Journey 4. Effort/Shape Monstrosity and Refugee Bodies (Undocumented Zombies and Sea Creature)s 5. Bodies and Writing Snap Judgement: Two Photographs of Writing on Immigrant Bodies Epilogue: Is Stillness (still) a Right?
Introduction 1. Movement Initiation-Dance and Refugee Performance 2. Space, Time, and Energy-Revisiting Arendt: Spaces of Disappearance 3. Trace Forms-The Non-Hero's Journey 4. Effort/Shape-Monstrosity and Refugee Bodies (Undocumented Zombies and Sea Creature)s 5. Bodies and Writing-Snap Judgement: Two Photographs of Writing on Immigrant Bodies Epilogue: Is Stillness (still) a Right?
Introduction 1. Movement Initiation Dance and Refugee Performance 2. Space, Time, and Energy Revisiting Arendt: Spaces of Disappearance 3. Trace Forms The Non Hero's Journey 4. Effort/Shape Monstrosity and Refugee Bodies (Undocumented Zombies and Sea Creature)s 5. Bodies and Writing Snap Judgement: Two Photographs of Writing on Immigrant Bodies Epilogue: Is Stillness (still) a Right?
Introduction 1. Movement Initiation-Dance and Refugee Performance 2. Space, Time, and Energy-Revisiting Arendt: Spaces of Disappearance 3. Trace Forms-The Non-Hero's Journey 4. Effort/Shape-Monstrosity and Refugee Bodies (Undocumented Zombies and Sea Creature)s 5. Bodies and Writing-Snap Judgement: Two Photographs of Writing on Immigrant Bodies Epilogue: Is Stillness (still) a Right?
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