This engaging account of theatregoing in the later eighteenth century explores the playhouse as a source of emotion during a period when the ability to feel demonstrated moral worth. Theatres of Feeling delivers a new approach to dramatic literature and performance, moving beyond more limited studies of text or performance.
This engaging account of theatregoing in the later eighteenth century explores the playhouse as a source of emotion during a period when the ability to feel demonstrated moral worth. Theatres of Feeling delivers a new approach to dramatic literature and performance, moving beyond more limited studies of text or performance.
Jean I. Marsden is Professor of English at the University of Connecticut. Her previous publications include The Appropriation of Shakespeare: Post-Renaissance Reconstructions of the Works and the Myth (1991), The Re-Imagined Text: Shakespeare, Adaptation, and Eighteenth-Century Literary Theory (1995), Fatal Desire: Women, Sexuality, and the English Stage 1660-1720 (2006), and numerous articles or editions dealing with diverse topics ranging from Restoration and eighteenth-century theatre, children's literature, Shakespeare, to the poet Anne Finch.
Inhaltsangabe
Introduction 1. Divine sympathy: theatre, connection, and virtue 2. Dangerous pleasures: theatregoing in the eighteenth century 3. Roman fathers and Grecian daughters: tragedy and the nation 4. Performing the West Indies: comedy, feeling, and British identity 5. The moral muse: comedy as social engineering Epilogue.
Introduction 1. Divine sympathy: theatre, connection, and virtue 2. Dangerous pleasures: theatregoing in the eighteenth century 3. Roman fathers and Grecian daughters: tragedy and the nation 4. Performing the West Indies: comedy, feeling, and British identity 5. The moral muse: comedy as social engineering Epilogue.
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