Introduction-Representing Evil in Early Modern England.-Dreadful Harmony": The Poetics of Evil in Sidney, Tasso, and Spenser.- Honeyed Toads: Sinister Aesthetics in Richard III.-Monsters and the Pleasures of Divine Justice in English Popular Print, 1560-1675.- Satanic Sensibilities in Paradise Lost.- Milton's Sinister God: Poetic Justice and Chiaroscuro in Paradise Lost.- Epilogue-The Sinister after Milton.
Introduction-Representing Evil in Early Modern England.-Dreadful Harmony": The Poetics of Evil in Sidney, Tasso, and Spenser.- Honeyed Toads: Sinister Aesthetics in Richard III.-Monsters and the Pleasures of Divine Justice in English Popular Print, 1560-1675.- Satanic Sensibilities in Paradise Lost.- Milton's Sinister God: Poetic Justice and Chiaroscuro in Paradise Lost.- Epilogue-The Sinister after Milton.
Rezensionen
"Sinister Aesthetics is a solid work of historically informed criticism that usefully and persuasively contributes to the ongoing scholarly corrective to New Historicism's rigidly coercive visions of cultural determinism." (Andrew Wadoski, Renaissance Quarterly, Vol. 73 (2), 2020)
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