Two decades of ethnographic, pedagogical and musical experience in Ireland inform Helen Phelan's investigation of the singing voice in ritual performance. She examines diverse ritual practices including community-based festivals, children's carnivals, women's choirs, university-based ritual laboratories, rituals of the established Irish Catholic churches, as well as those of new religious communities against the backdrop of economic, social, religious, and culturalchanges in twenty-first century Ireland.
Two decades of ethnographic, pedagogical and musical experience in Ireland inform Helen Phelan's investigation of the singing voice in ritual performance. She examines diverse ritual practices including community-based festivals, children's carnivals, women's choirs, university-based ritual laboratories, rituals of the established Irish Catholic churches, as well as those of new religious communities against the backdrop of economic, social, religious, and culturalchanges in twenty-first century Ireland.
Helen Phelan is Professor of Arts Practice at the Irish World Academy of Music and Dance, University of Limerick. A singer and ritual studies scholar, she is an Irish Research Council recipient for her work on singing and sustained social integration with new migrant communities in Ireland over the last two decades. Her singing interests span medieval chant to contemporary ritual vocal song while her publications are primarily in the areas of ritual studies, music education philosophy and arts practice research.
Inhaltsangabe
* Introduction * Becoming a Ritual Singer * Singing and Belonging * Book Structure * Laus Perennis * Religious Rituals * Chapter One * Borrowed Belonging: Singing and "Resounding" in the Wrong Ritual Space * Introduction * Migration and the New Irish * The Limerick Experience * The Russian Orthodox Community in the Augustinian Church, Limerick * The New Revelation Pentecostal Church in St. Michael's Church of Ireland, Limerick * Resonance as a Key Element of Sung Belonging * Spheres of Resonance * A Pilgrim People * Pilgrimage and Music * Sonic authority * Conclusion * Chapter Two * Repertoires of Belonging: Embodying "Bothness" through Musical Repertoires * Introduction * St. John's Catholic Cathedral and St. Augustine's Church, Limerick * Embodying "Bothness" * Somatics as a Key Element of Sung Belonging * Singing and Ideology * Gregorian Chant and the Modern Liturgical Movement * A Modern and Medieval "Enchantment" * The Pastoral Turn * The Irish Story * Conclusion * II Educational Rituals * Chapter Three * Finding Your Own Voice: Mythologizing and Ritualizing Belonging at the Irish World Academy * Introduction * The Irish World Academy * The Quest for "Imbas" * The Ritual Pit * Performance as a Key Element of Sung Belonging * Performing the Academy * Conclusion * Chapter Four * Singing Belonging in the Ritual Lab * Introduction * Entering the Ritual Lab * Ritual Leaps of Faith * Ritual Lab and Singing * Ritual Criticism, Memory and Ethical Soundings * Temporality as a Key Element of Sung Belonging * Ritual, Time and Space * Conclusion * III Civic and Community-Based Rituals * Chapter Five * Singing Hospitality in Community-based Ritual * Introduction * Anáil Dé / The Breath of God * Tacitness as a Key Element of Sung Belonging * Comhcheol Women's Community Choir * World Carnival * Conclusion * Chapter Six * Singing the Rite to Belong: Baptismal Rituals and the Irish Citizenship Referendum * Introduction * Backdrop to the Citizenship Referendum * The Limerick Story * Baptizing, Singing and Belonging * Somatic Community * Sonic Community * Conclusion * Conclusion * The Power of Singing * Singing the Rite to Belong * The Weakness of Singing the Rite to Belong
* Introduction * Becoming a Ritual Singer * Singing and Belonging * Book Structure * Laus Perennis * Religious Rituals * Chapter One * Borrowed Belonging: Singing and "Resounding" in the Wrong Ritual Space * Introduction * Migration and the New Irish * The Limerick Experience * The Russian Orthodox Community in the Augustinian Church, Limerick * The New Revelation Pentecostal Church in St. Michael's Church of Ireland, Limerick * Resonance as a Key Element of Sung Belonging * Spheres of Resonance * A Pilgrim People * Pilgrimage and Music * Sonic authority * Conclusion * Chapter Two * Repertoires of Belonging: Embodying "Bothness" through Musical Repertoires * Introduction * St. John's Catholic Cathedral and St. Augustine's Church, Limerick * Embodying "Bothness" * Somatics as a Key Element of Sung Belonging * Singing and Ideology * Gregorian Chant and the Modern Liturgical Movement * A Modern and Medieval "Enchantment" * The Pastoral Turn * The Irish Story * Conclusion * II Educational Rituals * Chapter Three * Finding Your Own Voice: Mythologizing and Ritualizing Belonging at the Irish World Academy * Introduction * The Irish World Academy * The Quest for "Imbas" * The Ritual Pit * Performance as a Key Element of Sung Belonging * Performing the Academy * Conclusion * Chapter Four * Singing Belonging in the Ritual Lab * Introduction * Entering the Ritual Lab * Ritual Leaps of Faith * Ritual Lab and Singing * Ritual Criticism, Memory and Ethical Soundings * Temporality as a Key Element of Sung Belonging * Ritual, Time and Space * Conclusion * III Civic and Community-Based Rituals * Chapter Five * Singing Hospitality in Community-based Ritual * Introduction * Anáil Dé / The Breath of God * Tacitness as a Key Element of Sung Belonging * Comhcheol Women's Community Choir * World Carnival * Conclusion * Chapter Six * Singing the Rite to Belong: Baptismal Rituals and the Irish Citizenship Referendum * Introduction * Backdrop to the Citizenship Referendum * The Limerick Story * Baptizing, Singing and Belonging * Somatic Community * Sonic Community * Conclusion * Conclusion * The Power of Singing * Singing the Rite to Belong * The Weakness of Singing the Rite to Belong
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