This book explores how Romantic-era England conceptualized its relation to its constituent parts and the larger world through discussions of dancing and theories of dance and performance. As a referent that engaged and constructed the body dance worked to produce an English exceptional body.
This book explores how Romantic-era England conceptualized its relation to its constituent parts and the larger world through discussions of dancing and theories of dance and performance. As a referent that engaged and constructed the body dance worked to produce an English exceptional body.
Kristin Flieger Samuelian is an Associate Professor of English at George Mason University. She is the author of Royal Romances: Sex, Scandal, and Monarchy in Print, 1780-1821 (2010), as well as journal and anthology essays on Dickens, Austen, and Romantic periodicals.
Inhaltsangabe
Introduction: Dance in the Romantic Imagination Chapter 1: Theorizing the Dancing Body Chapter 2: Foreign Dancers in English Space: Theatrical Politics and Political Theatre in Romantic Print Culture Chapter 3: Contending Aesthetics: Austen, Thackeray, and the Rise of the Ballerina Chapter 4: Strange Disorders, Exciting Contagions: Dancing and Disease in the Periodicals Chapter 5: Nationalism, Nostalgia, and English Country Dancing Coda
Introduction: Dance in the Romantic Imagination Chapter 1: Theorizing the Dancing Body Chapter 2: Foreign Dancers in English Space: Theatrical Politics and Political Theatre in Romantic Print Culture Chapter 3: Contending Aesthetics: Austen, Thackeray, and the Rise of the Ballerina Chapter 4: Strange Disorders, Exciting Contagions: Dancing and Disease in the Periodicals Chapter 5: Nationalism, Nostalgia, and English Country Dancing Coda
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