This book embraces "invented tradition" as process rather than event, presenting an ethnography not only of folkloric revivalism but of sweeping cultural transformation, promoted alternately by authoritarianism, democracy, emigration, and European unification.
This book embraces "invented tradition" as process rather than event, presenting an ethnography not only of folkloric revivalism but of sweeping cultural transformation, promoted alternately by authoritarianism, democracy, emigration, and European unification.
Kimberly DaCosta Holton is Assistant Professor of Portuguese and Lusophone World Studies at Rutgers University, Newark.
Inhaltsangabe
Contents Acknowledgments List of Abbreviations Introduction 1. Choreographing the Spirit: Fascism, Folklorization, and Everyday Resistance 2. Battling the Bonitinho: Revolution, Reform, and Ethnographic Authenticity 3. From Intestines into Heart: The Performance of Cultural Kinship 4. Festival Hospitality: New Paradigms of Travel and Exchange 5. "We Will Not Be Jazzed Up!": Lisbon 94 and Ranchos' Festival Absence 6. Dancing along the In-between: Folklore Performance and Transmigration in Newark, New Jersey Conclusion Appendix: Musical Notation of Select Modas from the Repertoire of the Rancho Folclorico de Alenquer Notes Works Cited Index
Contents Acknowledgments List of Abbreviations Introduction 1. Choreographing the Spirit: Fascism, Folklorization, and Everyday Resistance 2. Battling the Bonitinho: Revolution, Reform, and Ethnographic Authenticity 3. From Intestines into Heart: The Performance of Cultural Kinship 4. Festival Hospitality: New Paradigms of Travel and Exchange 5. "We Will Not Be Jazzed Up!": Lisbon 94 and Ranchos' Festival Absence 6. Dancing along the In-between: Folklore Performance and Transmigration in Newark, New Jersey Conclusion Appendix: Musical Notation of Select Modas from the Repertoire of the Rancho Folclorico de Alenquer Notes Works Cited Index
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