Civilized Violence provides a social and historical explanation for the popular appeal of cinema violence. Drawing on a range of disciplines, Hansen-Miller explains how Modern society has concealed and denied the exercise of violence even though it retains considerable power over how we live our lives. Through engagement with specific narratives from the last century of film and the pervasive violence of contemporary cinema, Hansen-Miller investigates how representations reassert the significance of violence and how they can transform our understanding of the way violence works.
Civilized Violence provides a social and historical explanation for the popular appeal of cinema violence. Drawing on a range of disciplines, Hansen-Miller explains how Modern society has concealed and denied the exercise of violence even though it retains considerable power over how we live our lives. Through engagement with specific narratives from the last century of film and the pervasive violence of contemporary cinema, Hansen-Miller investigates how representations reassert the significance of violence and how they can transform our understanding of the way violence works.
David Hansen-Miller is a London based freelance researcher working in the non - profit sector. He completed his PhD in English Literature at Queen Mary College, University of London and has taught widely in Cultural Studies, Gender Studies and Sociology, most recently at Lancaster University.
Inhaltsangabe
Introduction Chapter 1 From Scaffold to Cinema: Violence as a Force of Subjection and Subjectivation Chapter 2 Violence and Clinical Authority in 'The Aetiology of Hysteria' and The Cabinet of Dr. Caligari Chapter 3 Violence and the Passage from Responsibility to Desire in The Sheik Chapter 4 The Death of Popular Sovereignty in Once Upon A Time In The West Chapter 5 Deliverance and its Uses: Subjectivity, Violence and Nervous Laughter conclusion Conclusion: Gender and Pervasive Violence
Introduction Chapter 1 From Scaffold to Cinema: Violence as a Force of Subjection and Subjectivation Chapter 2 Violence and Clinical Authority in 'The Aetiology of Hysteria' and The Cabinet of Dr. Caligari Chapter 3 Violence and the Passage from Responsibility to Desire in The Sheik Chapter 4 The Death of Popular Sovereignty in Once Upon A Time In The West Chapter 5 Deliverance and its Uses: Subjectivity, Violence and Nervous Laughter conclusion Conclusion: Gender and Pervasive Violence
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