Architecture as Civil Commitment analyzes the many ways in which Costa shaped the discourse of Brazilian modern architecture, tracing the roots, developments, and counter-marches of a singular form of engagement that programmatically chose to act by cultural means rather than by political ones.
Architecture as Civil Commitment analyzes the many ways in which Costa shaped the discourse of Brazilian modern architecture, tracing the roots, developments, and counter-marches of a singular form of engagement that programmatically chose to act by cultural means rather than by political ones.
Gaia Piccarolo is Adjunct Professor of History of Contemporary Architecture and Landscape at the Politecnico di Milano and member of the editorial staff of the architectural magazine Lotus International. She received her PhD in History of Architecture and Urban Planning from Politecnico di Torino in 2010, with a thesis on Lucio Costa's public charges during the Vargas Era. She curated several exhibitions and published extensively on contemporary architecture and urban planning, with special reference to Brazilian modernism and the circulation of ideas and models between Europe and the Americas. Her research has been presented in Europe, the United States, Canada, and Brazil in the framework of international seminars and conferences.
Inhaltsangabe
Foreword Fernando Lara Introduction 1. The start of a militant career: the direction of the School of Fine Arts The young director of the School of Fine Arts A discreet revolution The Salão dos Tenentes Report of a failure 2. Reasons of the new architecture: Gustavo Capanema's grands travauxs A history to reconsider The great public assignments and Capanema's "dossier" New architecture, between theory and practice Le Corbusier and the appel à l'Autorité Negotiations and lost opportunities 3. A programme for national architecture: the years of the Estado Novo Struggles and compromises Toward a State architecture A genealogy of modern Brazilian architecture A rising intellectualisation Modernism and national heritage 4. A strategy of mediation: between the CIAM and the SPHAN Shaping national heritage Dealing with historical pre-existence The colonial roots of Brazilian architecture Baroque and national personality Brazilian houses 5. Shaping the true Machine Age: art, city, landscape Parisian experiences Art and the emancipation of the masses In search of a new monumentality A maquisard in urban planning Landscape and urbanism A new humanism
Foreword Fernando Lara Introduction 1. The start of a militant career: the direction of the School of Fine Arts The young director of the School of Fine Arts A discreet revolution The Salão dos Tenentes Report of a failure 2. Reasons of the new architecture: Gustavo Capanema's grands travauxs A history to reconsider The great public assignments and Capanema's "dossier" New architecture, between theory and practice Le Corbusier and the appel à l'Autorité Negotiations and lost opportunities 3. A programme for national architecture: the years of the Estado Novo Struggles and compromises Toward a State architecture A genealogy of modern Brazilian architecture A rising intellectualisation Modernism and national heritage 4. A strategy of mediation: between the CIAM and the SPHAN Shaping national heritage Dealing with historical pre-existence The colonial roots of Brazilian architecture Baroque and national personality Brazilian houses 5. Shaping the true Machine Age: art, city, landscape Parisian experiences Art and the emancipation of the masses In search of a new monumentality A maquisard in urban planning Landscape and urbanism A new humanism
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