This volume collects the complete ten issues of the paper Black Mask (produced from 1966-1967 by Ben Morea and Ron Hahne), together with a generous collection of the leaflets, articles, and flyers generated by Black Mask and UAW/MF, the UAW/MF Magazine, and both the Free Press and Rolling Stone reports on UAW/MF. A lengthy interview with founder Ben Morea provides context and color to this fascinating documentary legacy of NYC's now-legendary provocateurs.
This volume collects the complete ten issues of the paper Black Mask (produced from 1966-1967 by Ben Morea and Ron Hahne), together with a generous collection of the leaflets, articles, and flyers generated by Black Mask and UAW/MF, the UAW/MF Magazine, and both the Free Press and Rolling Stone reports on UAW/MF. A lengthy interview with founder Ben Morea provides context and color to this fascinating documentary legacy of NYC's now-legendary provocateurs.
A teenage delinquent and drug addict, Ben Morea in the late 1950s went looking for the Beatniks, discovered the Living Theater, and developed a taste for, and involvement in, art and anarchism. A painter, rabble-rouser, and troublemaker, he was the main instigator of the Black Mask group, The Family (popularly know as Up Against The Wall Motherf**ker, and no relation to the West Coast Manson "family"), and the Armed Love communal movement. By the end of the ’60s, facing increased police attention, Ben Morea "disappeared" into the rural communal movement, and anonymity. He continues to paint (and now blog), and galvanized by the current Imperial wars, has re-emerged to talk of the legacy and history of Black Mask and The Family, and their relevance to the struggles today.
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